Misery

In the icy grip of a New England winter, celebrated novelist Paul Sheldon finds his journey home shattered by a sudden car accident. Stranded on a remote stretch of road, he is rescued and taken to the secluded farmhouse of Annie Wilkes, a seemingly warm‑hearted nurse whose hospitality feels both comforting and uncanny. The stark, snow‑bound setting establishes a world where isolation amplifies every nervous glance and every whispered word, turning the ordinary act of recovery into something charged with unease.

Paul arrives with the weight of his latest manuscript and a reputation built on a beloved fictional heroine, while Annie immediately reveals a fervent devotion to his work that borders on the obsessive. Their interactions unfold against a backdrop of quiet domesticity—crackling fireplaces, faded photographs, and the soft hum of a house cut off from the outside. The tone drifts between dark humor and mounting dread, as the surface politeness of the caretaker’s praise gradually slips toward an unsettling control that threatens to stifle the writer’s creative freedom.

As Paul settles into the cramped quarters, the tension between gratitude for his rescue and the growing sense of being watched tightens. The remote location, the relentless cold, and Annie’s intense fixation create a claustrophobic atmosphere that forces him to confront not only his physical vulnerability but also the psychological pull of a fan whose admiration may hide something far more dangerous. The story promises a relentless battle of wills, where the line between caretaker and captor blurs, leaving Paul with a single, desperate thought: how far can he push back before the silence of the snow becomes his only escape.

Last Updated: August 10, 2025 at 13:36