Making It

In a modest suburb where high‑school hallways echo with ambition and indifference, the world of Making It feels both intimate and sharply observed. The film paints a late‑summer landscape of cramped apartments, buzzing lockers, and a quiet, single‑parent household, setting a tone that balances dry humor with an undercurrent of unease. Everyday moments carry a weight that hints at larger moral questions, and the camera often lingers on the small gestures that betray larger intentions.

Phil Fuller is a 17‑year‑old who carries his own brand of swagger through this world. He brands himself as smarter than almost everyone, and that certainty becomes the lens through which he treats friendships, romance, and family as interchangeable conveniences. His charm is effortless, his cynicism a practiced mask, and he navigates school life with a detached, almost clinical precision, turning social encounters into strategic moves rather than genuine connections.

Around him, classmates and adults alike respond to his provocations in ways that reveal both admiration and resentment. The relationships he manipulates—whether fleeting flirtations or more tangled entanglements—serve as a mirror for his own insecurity, suggesting that his confidence may be a fragile façade. A looming pregnancy, hinted at but never spelled out, looms as a catalyst that could upend his self‑constructed order, leaving him to reckon with the consequences of his choices.

The film’s tone is a quiet indictment of reckless privilege, blending a cool, observational style with moments of gritty realism. It invites viewers to watch a young man teeter on the edge of adulthood, asking whether cleverness can truly shield one from the inevitable fallout of selfish behavior. As the narrative unfolds, the audience is left wondering how far Phil can stretch his control before reality forces a reckoning.

Last Updated: December 04, 2025 at 23:08