Love Is the Devil: Study for a Portrait of Francis Bacon

The film is set primarily in Francis Bacon's private studio apartment in London, which serves as the intimate space where art and life collide. The story also follows the characters to social pubs in London, a New York hotel rooftop, and ultimately Paris. These locations trace an arc from the private creative space to high-society art-world settings.

The film is set in the 1960s, capturing a specific era in London's art scene and the broader cultural landscape of the decade. This time period is significant as it coincides with Bacon's rise to fame and the bohemian lifestyle that characterized London's artistic circles during that time.

Francis Bacon is a celebrated, boundary-pushing artist portrayed by Derek Jacobi. He pulls his lover George Dyer into his life and inner circle, moving through a world of art, clubs, and public attention. He exhibits a magnetic, combative charm while struggling with fame, self-identity, and a growing dependence on alcohol and drugs as he pursues both art and desire.

George Dyer is Francis Bacon's lover, played by Daniel Craig. He is a striking working-class presence whose charm masks deep insecurity and a spiraling addiction. He navigates Bacon's social circle while wrestling with jealousy when Bacon's other relationships surface. His drinking, drug use, and emotional volatility ultimately push their relationship toward a breaking point.

The film explores a volatile open relationship that reveals how desire and connection coexist with jealousy and possessiveness. The dynamic allows Bacon to invite others into his life while Dyer struggles to navigate his place in this unconventional arrangement. The narrative examines freedom versus control in art-world circles, showing how trust, attraction, and power shift over time.

The film frames Francis Bacon's art as inseparable from his personal identity and relationships. As Bacon pushes his own boundaries, his fame and open life bleed into his creative process and public image. Dyer's presence in the studio and social circles highlights how art, ego, and vulnerability intertwine, with the tension between creator and muse underscoring the costs of genius.

Drinking, drugs, and emotional strain thread through the relationship, accelerating a downward spiral. Dyer's dependency and insomnia clash with Bacon's drive to produce and perform in social spaces. The film tracks how addiction complicates love, fidelity, and artistic ambition. The later Paris chapters amplify the tragedy as both men confront mortality and memory.

Bacon's private studio apartment serves as the story's central location where art and life collide. This intimate space is where Dyer is first brought into Bacon's world, and it becomes a symbol of the blurring boundaries between the artist's creative process and his tumultuous personal relationships.

The film has a consistently dark, intense tone rooted in the characters' self-destructive tendencies and the bleak reality of artistic obsession. The atmosphere is stressful due to the film's focus on a destructive and codependent relationship marked by jealousy, addiction, and psychological manipulation. The emotional weight is heavy, dealing with addiction and a tragic outcome.

Bacon moves through a world of art, clubs, and public attention, surrounded by eccentric, well-connected friends. The film takes viewers into social pubs where Bacon's circle gathers, as well as high-society settings in New York and Paris. This art-world environment shapes the relationships and conflicts that drive the narrative.