Laddaland

In the idyllic suburb of Laddeland, a newly built housing estate glistens beneath the calm canopy of Chiang Mai’s hills, promising a fresh start for those who move within its borders. Yet the quiet streets whisper of something unsettled, and an ever‑present sense of unease lingers in the air, as if the very walls are listening. The tone is one of restrained dread, where ordinary domestic life is constantly brushed against a chilling undercurrent of unseen forces.

Thee, a 40‑year‑old marketing officer, arrives with hopes that a new home will resolve his company’s financial strain and restore balance to his family. Beside him, Parn, his wife, worries about the hefty mortgage that now anchors their future, while also trying to keep the household afloat. Their teenage daughter, Nan, is restless and skeptical, a product of a complicated past that has left her yearning for the familiarity of her grandmother’s care. In contrast, their young son, Nat, approaches the new environment with bright curiosity, his imagination already turning the streets into a playground.

The family’s dynamic is a study in contrast: Thee clings to optimism and the promise of stability, Parn navigates the practical pressures of new responsibilities, Nan tests the limits of rebellion and yearning, and Nat remains largely untouched by the tension that seems to seep from the neighborhood itself. Their interactions are marked by a mixture of hopeful anticipation and underlying anxiety, each member grappling with personal doubts while trying to maintain the fragile cohesion of their household.

Within this setting, the ordinary becomes suspect. Unexplained noises echo through hallways, fleeting silhouettes linger at the edge of vision, and sudden mishaps hint at a malevolent presence stirring beneath the surface. The film cultivates an atmosphere where the family must decide whether to confront the growing unease that permeates Laddeland or to retreat from a place that promised safety but now feels increasingly oppressive.

Last Updated: September 26, 2025 at 04:40