Year: 2006
Runtime: 99 mins
Language: English
Director: Joel Bender
Budget: $5M
Evil has a beautiful face. Based on true events, the film follows Canada’s most infamous serial killers, Paul Bernardo and his wife Karla Homolka, as they kidnap, sexually assault, and murder three teenage girls, revealing the chilling juxtaposition of outward charm and horrific violence.
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On 11 May 2000, a psychologist, Dr. Arnold, conducts a pivotal session with Karla Homolka at Canada’s Regional Psychiatric Centre in Saskatoon, Saskatchewan. The goal is to determine Karla’s parole eligibility. The mood of the room shifts as Dr. Arnold reveals a photo album showing Karla and her husband in happier times, prompting Karla to recall how they first met. Yet as the conversation veers toward Karla’s sister, Tammy Homolka, Karla becomes withdrawn and uncooperative, signaling how deeply the past weighs on her.
Over the following weeks, the doctor pieces together Karla’s knowledge—or lack thereof—about Paul Bernardo’s secret life as a serial rapist. It becomes clear that, even before their marriage, Paul began abusing women, and he drew Karla into his crimes. She resists at first but is gradually drawn in after stealing Halcion from the veterinary clinic where she works. The narrative re-creates the night Tammy is drugged at a Christmas party: Tammy passes out, is raped, falls ill, and dies from complications related to the overdose. The couple tries to call it an accident, but the evidence of their involvement begins to weigh on them as the crime’s shadow grows. The aftermath is brutal: Paul strikes Karla, and she learns to reconcile the violence with his “movies,” a disturbing pattern that shapes the couple’s dynamic.
Karla later reveals that Paul became obsessed with Tammy, even showing the film to friends. Paul is blunt about his crimes, and Karla’s fear grows as he brings more victims home. Although she claims she would have been killed if she hadn’t stayed, she ultimately leaves him, albeit with deep ambivalence. Yet Paul’s influence does not vanish; he seeks to control and to push Karla deeper into the crimes they commit together. Reluctantly, Karla participates in these escalating assaults as Paul’s brutality intensifies.
A new victim, Tina, is kidnapped and forced to undress on camera. Karla witnesses the abuse but cannot summon the courage to intervene. Tina endures three days of rape before Paul strangles her when she recognizes his face. The body is cut into pieces, cemented into blocks, and dumped into a lake. The discovery of Tina’s remains coincides with the couple’s wedding day, a chilling irony that underscores Paul’s chilling detachment. After a time, Paul’s demeanor toward Karla shifts again—he becomes violent toward her as his circle of friends begins to fracture under the weight of his crimes. In a bid to win back his affection, he resumes abducting and abusing another young girl, Kaitlyn.
Kaitlyn’s brutal assault unfolds under Karla’s watch, and she is moved to tears by what she witnesses. Paul’s violence toward Karla escalates, and he accuses her of “ruining his movie.” After Paul leaves, Karla is left to cope with the trauma, wondering aloud why she stayed and whether she could have escaped. Kaitlyn’s disappearance draws intense media attention and police scrutiny, and Paul kills Kaitlyn to silence her, just as the investigation closes in on him. When police search Paul’s home, he presents a veneer of cooperation, yet the truth of his violence remains deeply menacing.
Back in Saskatoon, Dr. Arnold revisits questions about Karla’s relationship with her younger sister Tammy, probing the roots of jealousy and Paul’s fixation on Tammy. Karla confesses that Paul wanted to take Tammy’s virginity and that he expected Karla to “give” Tammy to him, a revelation that casts Tammy’s past in a new, disturbing light.
The investigation advances when DNA from Paul’s samples matches evidence from one of the murder victims, tying both Paul and Karla to the crimes. In court, Paul testifies that Karla killed Kaitlyn with a mallet, while Karla denies all killings. The jury convicts Paul of two counts of murder with no possibility of parole, and Karla pleads guilty to manslaughter, receiving a twelve-year sentence. A final note explains that Karla’s parole was denied because the psychologist found her to be artificial, manipulative, and lacking remorse, a conclusion that closes this dark chapter with a stark assessment of accountability and human frailty.
This portrayal navigates a harrowing landscape of coercion, complicity, and crime, presenting the uneasy truths of how one relationship can spiral into a cascade of violence. It invites reflection on responsibility, the psychology of manipulation, and the lasting impact on the victims, families, and communities touched by these events, all while staying faithful to the complexity of the individuals involved.
Last Updated: October 09, 2025 at 15:08
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