It’s a Great Feeling

A studio commissary waitress who longs for an acting break. She forcefully inserts herself into Carson's office, pressuring him to give her a chance. She is initially naive to Hollywood's tricks but grows more determined as the plan unfolds. Her resilience leads her to consider a genuine career and a life beyond the studio if needed.

A studio director-producer type who schemes to launch Judy's career. He orchestrates the disguise of Judy as his secret bride to Morgan to secure a co-star, using charm and audacity to push his plan forward. He is charismatic but morally flexible, testing his own ethics as the scheme escalates.

Co-lead actor who advocates finding an outsider to avoid tainting his own image. He competes with Carson for Judy's discovery and also participates in the ruses to test her talent. His drive to win the breakout position clashes with the evolving reality of Judy's ambition.

A veteran star who aids them in sneaking into the studio to arrange a screen test. He provides a wink of legitimacy to the scheme and helps move the plan along in a world where influence matters as much as talent.

Appears as herself and quickly suspects that Judy is being manipulated, condemning the men for their treatment. She acts as a moral check within the backstage chaos and presses for integrity in how Judy is handled.

Judy's fiancé in Goerke's Corners; his identity becomes a twist when Errol Flynn is revealed as the fiancé. He represents the small-town life Judy might return to, contrasting with Hollywood's glamour and schemes.

Makes a cameo in a studio scene, adding lighthearted, comic relief to the backstage chaos and helping to puncture the seriousness of the casting game.

Meets Judy in a scene that underscores the power of star presence and the pull of Hollywood. Her presence highlights the dream-seeking backdrop against the film's more grounded core.

Another star cameo included in the plot; her appearance amplifies the meta-commentary on Hollywood's celebrity culture and the pressures around auditions and roles.

Real-life director who, along with other directors, refuses to helm the film, introducing a meta-commentary on control within the industry. He appears as himself (uncredited) during the opening sequence.

Another director cameo who initially refuses to take on the project, symbolizing the power struggles that shape studio decisions and the casting process.

Director cameo, contributing to the film’s playful meta-layer about Hollywood's inner circle and the authority of established filmmakers.