Interstate 60

In the restless heart of America, a young man teeters between duty and desire. Neal Oliver works the night shift at a grocery warehouse in St. Louis, his mind full of unfinished canvases and a yearning for something beyond the expectations of his father and a complacent girlfriend. On the cusp of his twenty‑second birthday, a strange, pipe‑wielding figure named O.W. Grant appears at a party, offering the tantalizing possibility that a single wish could reshape a life. The moment plants a seed of curiosity that propels Neal toward an open road he never imagined traveling.

The film paints a landscape where reality feels pliable and every roadside stop teems with characters as vivid as the paintings Neal wishes to create. A charismatic doctor named Ray hints at hidden layers beneath everyday objects, while a mysterious billboard portrait of a woman named Lynn Linden beckons with an almost dream‑like allure. Along the way, Neal encounters a chorus of eccentric strangers—a gluttonous gourmand, a woman in pursuit of an ideal, a mother searching for a lost child, and a curator of artistic fraud—each embodying the oddball charm and philosophical whimsy that define the journey.

The tone balances whimsical surrealism with the grounded yearning of a coming‑of‑age road trip. Sun‑splashed highways, neon‑lit diners, and peculiar towns serve as a backdrop for Neal’s internal quest, encouraging him to question what is real, what is wished into being, and how art can capture both. As the miles unwind, the film invites viewers to wonder whether the true destination lies on the map or within the sketchbook waiting for Neal’s next brushstroke.

Last Updated: October 23, 2025 at 16:19