Infelici e contenti

In the gentle hum of an Italian hospice, two strangers find themselves sharing a room that feels more like a crossroads than a place of rest. Aldo, once a celebrated water‑polo player and bank employee, now navigates life from a wheelchair, carrying the quiet ache of a world turned upside down. Across from him sits Vittorio, a man whose world is defined not by sight but by an uncanny knack for turning everyday moments into subtle games. Their meeting is simple, but the contrast between Aldo’s restrained dignity and Vittorio’s restless imagination hints at a partnership that could reshape both of their routines.

The film settles into a tone that balances bittersweet reflection with a wry, almost slap‑stick energy. The hospice’s orderly corridors give way to open‑air possibilities as the two men entertain the idea of a leisurely drive along the Ligurian coast to the resort town of Sanremo. It is a journey that promises scenery, sunshine, and a brief escape from the confines of their daily lives, while also allowing their distinct personalities to play off each other—Aldo’s measured caution meeting Vittorio’s improvisational daring.

As they set the wheels in motion, the road ahead becomes a canvas for quiet humor and understated tension. The landscape blurs into a series of fleeting moments—coastal vistas, small towns, and the occasional detour that tests their resolve. The audience is invited to linger on the subtle choreography of two men whose disabilities shape, but do not dictate, their choices, and to wonder how far they will let curiosity and companionship carry them.

Ultimately, the film is a character study wrapped in a road‑trip frame, exploring how friendship can become a refuge and a catalyst when life insists on reminding you of loss. Its mood is simultaneously warm and probing, inviting viewers to contemplate resilience, the desire for normalcy, and the unpredictable chemistry that emerges when two very different lives intersect on the open road.

Last Updated: November 29, 2025 at 04:41