Happiness Is…

In bustling Hong Kong, a city that never quite settles, Chan Kai‑yuk arrives from Guangzhou carrying more than his suitcase—a recent loss, a fractured family, and the quiet hope of rebuilding bridges that were once broken. The urban landscape, with its crowded markets and towering apartments, becomes a backdrop for his search for belonging, and the everyday hustle feels both relentless and oddly intimate. From the moment he steps onto the streets, the film sets a tone of gentle realism, coloring the ordinary with a warm, almost tender light that invites the audience to notice the small gestures that sustain life.

Struggling to find steady footing, Chan encounters Kam, a chef whose kitchen at the Beloved Community Centre doubles as a place of refuge and quiet generosity. The centre itself exudes a sense of collective care, its modest dining hall and shared spaces humming with the unspoken stories of those who pass through. It is within these walls that Chan first meets Tse Yuen‑fan, a solitary woman whose routine and modesty mask a deeper yearning for connection. Their initial interactions are marked by cautious hospitality—a dozen eggs, a shared cup of tea—hinting at the possibilities that arise when strangers extend simple kindness.

The narrative gently weaves in other threads of community life: Xiaoyue, an intern from Guangzhou whose fresh perspective adds a subtle spark, and Fong, a seasoned social worker whose steady presence underscores the centre’s mission of empathy. As Chan settles into a modest living arrangement and begins to engage with the centre’s food‑sharing initiatives, the film paints a portrait of a city where personal reinvention is possible through the everyday acts of sharing, listening, and caring. The mood remains hopeful yet grounded, inviting viewers to wonder how these fragile bonds might evolve amid the ever‑present pulse of Hong Kong’s streets.

Last Updated: October 05, 2025 at 16:56