Hajar Bachhor Dhore

In the present day, Mokbul presides over an old creaking house where Montu, a cluster of cousins, and three wives live. The youngest wife, Tuni, is a teenager who secretly loves Montu, while he is drawn to her yet bound to Mokbul by loyalty. The family dynamics hint at the tensions to come.

Ambia's family is struck by a devastating disease, and fear keeps others from burying the dead. Montu steps forward to bury the bodies, risking contagion to help his neighbors. This act deepens his connection with Ambia and reveals a gentler side beneath his tough exterior.

Mokbul hatches a plan to claim Ambia's property by marrying her off to Montu, hoping the alliance will secure his grip on the estate. The move shows his willingness to manipulate kin for wealth and power. The household mood shifts as ambition edges out loyalty.

Tuni resists the plan and proposes a counter strategy: by persuading Mokbul to take Ambia as his fourth wife, the family could both gain wealth and fulfill a superstition about four wives. She convinces Mokbul to accept Ambia, steering him toward a different source of power. The idea plants seeds of deeper conflict within the household.

The proposal triggers protests from Mokbul's other wives and opposition from the cousins, who fear losing status and control. Tuni fans the flames, driving a wedge between Mokbul and his family. The household becomes a pressure cooker as loyalties collide.

In anger, Mokbul divorces his first two wives, tearing at the already fragile domestic order. The separations ripple through the family and threaten the future of Ambia's bid for a stable position. Tension continues to mount as the family weighs its next moves.

A cousin strikes Mokbul on the head with a rock, leaving him sick and weakened. The attack accelerates the collapse of his authority and foreshadows harsher consequences for dissent. The older wives depart, their status and influence vanished.

With Mokbul vulnerable, the second wife's brother announces his intention to wed a richer man instead, signaling the erosion of old alliances. The family and community watch the power structure slip further from Mokbul's grasp. Ambitions veer toward convenience and wealth rather than loyalty.

Mokbul dies, and Tuni remains his sole widow after the divorces. Guilt gnaws at Tuni as she fears her plotting ruined the family. Montu's later encounter with Tuni, where she wears a white widow's sari, underscores the cost of the schemes.

Montu sees Tuni clad in a white widow's sari and asks to marry him, seeking solace in their linked losses. She coldly replies that this tragedy is her punishment for causing the downfall. The moment seals a sense of remorse and fatalism around their fates.

The narrative jumps forward to reveal that Montu and Ambia have wed, transforming the quiet mercy into a new life built on mutual care. Tuni has become an elderly, solitary widow, her earlier schemes having left her isolated. The community begins to reckon with the consequences of the earlier schemes.

A younger Mokbul cousin is introduced, accused of beating two wives to death and abusing a third. Montu, viewing himself as the guardian of the family’s welfare, tells him to mind his own business. This thread exposes the precarity of violence within the estate and Montu's uneasy position.

Montu witnesses the third wife's suicide attempt and is moved by her resolve to live. He returns to learn that she has died at the hands of his cousin. The tragedy compounds the danger in the family and tests Montu's role as protector.

As the family contemplates a match between Ambia and Mokbul, a cousin jokes about it, and Tuni snaps that she would beat Ambia to death if given the chance. The line underscores the enduring risks of power, greed, and passion within the estate. The film closes on unresolved tensions that continue to simmer.