Glass House: The Good Mother

After a tragic accident, Abby and Ethan Snow are adopted by Eve Goode and Raymond Goode. The couple projects warmth and safety, but the house already hints at something darker beneath the surface. The siblings begin to settle into their new home, unaware of the danger ahead.

The Goode home reveals a strict hierarchy rather than affection. Ethan is given a private room near the master suite while Abby is tucked away in a turret room far from the heart of the house. Their new surroundings feel carefully managed rather than loving.

Abby stumbles upon a basement bed with David’s name carved into a support post, a stark reminder that some spaces are off-limits. The discovery intensifies the sense that the house is watching and controlling what the children can access. The room's hidden meaning foreshadows the danger she has yet to sense.

Communication becomes tightly restricted: there are no phone calls and little contact with the outside world. The lack of freedom helps Eve and Raymond maintain the veneer of hospitality while hiding their controlling grip. The siblings quickly learn to police themselves within the home.

Tensions flare at dinner when Eve slaps Abby, exposing the brutal sincerity behind the Goode veneer. Abby is humiliated and frightened by the cold, controlling atmosphere. The incident marks the first clear crack in the supposed kindness of the family.

While cleaning the sink, Abby cuts her arm on broken glass left deliberately in the basin. She begs to be taken to a hospital, but Eve refuses and provides a harsh medical kit instead. The injections and stitches come without anesthesia, leaving Abby frightened and disoriented.

After the treatment, Abby wakes to a troubling claim that she has been in bed for three days. The ritualistic sense of time and control becomes clear as she realizes she can't trust what she’s told. The house itself feels like a living presence that guards its secrets.

Ethan grows gravely ill, and Abby pieces together that Eve is poisoning him just as she did with previous foster children. The danger escalates as the children's health and safety appear to hinge on Eve’s whims. The siblings realize escape may be their only option.

When Abby tries to escape, Eve locks her in the attic, severing another potential line to the outside. The upper floors become a prison that tightens the household's unsettling balance. Abby begins to understand that leaving the house may be impossible without help.

Ben Koch, a family friend, visits with plans to take the kids to Six Flags, only to be misled by Raymond into thinking Eve has taken them to an art gallery. Ben suspects something is off and begins to scrutinize the house. The seeds of an escape plot are planted as the adults maneuver around each other.

Abby slips out during the visit, attempting to flee in a car, but Raymond stops her escape. She fights back and knocks him unconscious with a wrench. Ben enters the scene but is drugged by Eve, worsening the peril as the chase continues.

Eve lures Abby out with a feigned appeal to Ethan, catching her at the stairwell. A brutal fight erupts, and Abby kicks Eve down the stairs, who crashes to the bottom, seemingly dead. The danger is far from over as Eve returns to pursue them.

Abby discovers Ethan in a bathtub, nearly drowned, and pulls him free just as Eve resumes pursuit with a cleaver. The house becomes a chaotic battleground as the siblings scramble for safety. The sense of fragile safety grows with every close call.

Ben bursts in as Eve corners Abby, raising the cleaver. A gunshot echoes through the house, killing Eve; the blast is fired by Raymond, not Ben, revealing a breaking point in his loyalty. Raymond is arrested as Abby and Ethan are rushed toward safety.

After the confrontation, Abby and Ethan are taken to the hospital while Ben helps them leave the house behind. The film closes on an uncertain future, with the siblings clinging to each other and the possibility of safety in a new life. The Goode house becomes a distant memory of fear rather than home.