Get Crazy

Get Crazy

Year: 1983

Runtime: 92 mins

Language: English

MusicComedy

The concert was billed as the greatest rock event ever, until the venue literally exploded. Mega‑promoter Colin Beverly schemes to sabotage the New Year’s 1983 show organized by modest operator Max Wolfe. Wolfe’s aides, Neil Allen and Willie Loman, fall in love while battling Beverly’s plots to save the drugs, violence and rock‑and‑roll chaos.

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Get Crazy (1983) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of Get Crazy (1983), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

On December 31, 1982, the Saturn Theater is gearing up for a big New Year’s Eve concert under the flamboyant owner and master showman Max Wolfe Allen Garfield, who has run the venue since 1968. Assisting him are stage manager Neil Allen Daniel Stern and visiting former stage manager Willy Loman Gail Edwards. Also tangled in the night’s wild activity are beleaguered stagehand Joey Dan Frischman, fiery lighting director Violetta Mary Woronov, and Neil’s younger sister Susie Allen Stacey Nelkin.

Max Wolfe holds a 30-year lease to the theater, but reptilian concert promoter Colin Beverly Ed Begley Jr. has other ideas. Beverly offers to buy Max out and move the Saturn’s lease to his own concert auditorium and stadium, but Max refuses, and in a burst of anger he collapses from a heart attack. Outside, Max’s ambitious nephew Sammy Fox Miles Chapin informs Beverly that he stands to inherit the theater, and Beverly presents Sammy with the same deal: secure Max’s signature on an agreement to transfer the Saturn’s lease before midnight.

The show’s lineup unfolds: King Blues Bill Henderson opens with two self-styled hits, then the Nada Band takes the stage, followed by a ferocious punk rendition of “Hoochie Coochie Man” led by Piggy. Reggie Wanker [Malcolm McDowell] delivers a boastful ballad, “Hot Shot,” before moving into his own version of the blues classic.

As the night progresses, Sammy schemes to derail the venue’s fate, including fanning a basement fire and cutting the fire hose. Beverly’s hired muscle, Mark Bobby Sherman and Marv Fabian, hand Sammy a bomb that is planted inside the rocket ship scheduled for the final countdown to midnight.

Willy overhears the plot, is captured and locked in Colin Beverly’s limousine trunk, but escapes when the limo collides with Auden’s taxicab and returns to warn Neil. With the countdown ticking, the bomb is passed from person to person outside the building and eventually lands in Colin Beverly’s limo just as it pulls up to the curb. The explosion erupts at the last second, and the crowd shouts

“Happy New Year”

as Captain Cloud Howard Kaylan leads the crowd in “Auld Lang Syne.”

In the aftermath, Max hands the lease to Neil, signaling his plan to retire from the theater scene. Neil offers partnership to Willy, and the end credits roll while Auden Lou Reed sings “Little Sister” to Susie Allen. The film closes with a dedication thanking the staff of the Fillmore East, 1968–71, for the memories.

Last Updated: October 09, 2025 at 14:42

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Zany Backstage Mayhem and Concert Chaos like in Get Crazy

Stories where backstage antics and chaotic events threaten to upend a major show.If you liked the chaotic energy and backstage sabotage of Get Crazy, you'll enjoy these movies. This thread features comedies and music films where eccentric characters battle against the odds to save a show from spiraling into joyful anarchy, perfect for fans of hilarious concert chaos.

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The narrative typically revolves around a central 'save the show' plot, pitting well-intentioned underdogs against a villainous force. The story unfolds through a series of interconnected, fast-paced subplots involving romantic entanglements, bizarre performers, and absurd schemes, all escalating towards a climactic and triumphant finale.

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These movies are grouped together for their shared high-energy, chaotic atmosphere, satirical take on the entertainment industry, and a lighthearted tone that treats even the most disastrous situations as comedic opportunities. The fast pacing and whimsical feel create a uniquely celebratory and cult-friendly vibe.

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Fast-paced comedies that embrace absurdity and chaotic energy for a unique cult feel.Fans of Get Crazy's zany, high-energy comedy will find more favorites here. Discover movies with a similar cult status, defined by their fast pacing, absurd satire, and lighthearted embrace of chaos. These are perfect picks for viewers seeking hilarious, offbeat stories that never slow down.

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Stories in this thread often feature a straightforward goal that quickly descends into madness. The narrative structure is less about complex arcs and more about stringing together a series of hilarious, exaggerated situations. Character development is secondary to the comedic momentum, leading to a feel-good resolution that rewards the chaos.

Why These Movies?

These films are united by a specific comedic sensibility: high intensity, fast pacing, and a whimsical tone that finds humor in absurdity. They share a light emotional weight and a playful, celebratory mood, making them ideal for viewers seeking an energetic and unforgettable cult comedy experience.

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Characters, Settings & Themes in Get Crazy

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Characters, Settings & Themes in Get Crazy

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More About Get Crazy

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