Get Crazy

In the heart of 1980s New York, the Saturn Theater is poised to host what’s promised to be the most explosive New Year’s Eve rock show of the decade. The venue, a relic of the city’s golden concert age, hums with the raw energy of backstage crews, neon lighting rigs, and a lineup of out‑landish performers whose very presence turns the building into a living soundtrack. The atmosphere teeters between reverent homage to classic rock lore and a fever‑dream cascade of chaos, setting a tone that is simultaneously gritty, flamboyant, and tinged with a mischievous sense of danger.

At the center of the operation stands Max Wolfe, a seasoned venue owner whose three‑decade tenure has made him both a custodian of rock history and a pragmatic businessman wary of change. He is assisted by Neil Allen, a diligent stage manager whose pragmatic nature is balanced by an earnest yearning for something more, and Willy Loman, a former stage manager whose arrival sparks an unexpected connection that blurs professional boundaries. Their dynamic sizzles with the tension of looming deadlines, creative egos, and the electric buzz of a crowd ready to roar.

Hovering over the celebration is Colin Beverly, a slick mega‑promoter whose ambitions extend beyond the confines of the theater. Known for his aggressive tactics, Beverly eyes the Saturn as a strategic foothold, and his presence injects a sharp undercurrent of corporate intrigue into the night’s festivities. The clash of his courtroom‑sharp scheming with the more laid‑back, passionate world of the theater sets up a compelling push‑and‑pull that fuels the narrative’s momentum.

As midnight approaches, the stage is set for a collision of music, ambition, and the inevitable unpredictability that defines both rock performance and the lives of those who keep it alive. The film invites viewers into a riotous celebration of sound and sabotage, where every chord struck could echo far beyond the walls of the Saturn.

Last Updated: December 04, 2025 at 16:18