Year: 1959
Runtime: 81 mins
Language: English
Director: Paul Wendkos
Every step he takes is haunted by danger. Falsely accused of murder, he flees the sheriffs and builds a new existence in a dusty border town between the United States and Mexico. Yet peace remains out of reach, as the men who charged him relentlessly track his movements, forcing him to stay vigilant.
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Read the complete plot breakdown of Face of a Fugitive (1959), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Bank robber Jim Larsen, [Fred MacMurray], is handcuffed to Deputy Marshal George Allison, [Francis De Sales], on his way to prison. Larsen feels he was only caught because he used a partner; the next time will be singlehanded. Boarding the train, Larsen overpowers the deputy, takes his pistol and handcuffs him to the rear car. Larsen’s younger brother Danny, [Ron Hayes], comes to free Larsen. Danny has brought Jim a horse and they flee. The deputy produces a hidden derringer. He mortally wounds Danny, who kills the deputy. The two board another train, hiding in the baggage car. After Danny dies, Larsen puts his body in a mail sack and throws it off the train.
Jim changes into his father’s business suit, which Danny brought, and reboards the train as a passenger at the next stop. The only vacant seat is next to Alice, [Gina Gillespie], a six-year-old girl who was visiting her grandfather. The talkative Alice guesses that he must be a visiting mining inspector. Using the name Ray Kincaid, Larsen plays along and gathers information on the next town, Tangle Blue, Wyoming. Mark Riley, [Lin McCarthy], an earnest but inexperienced sheriff who is Alice’s uncle, and a group of deputies stop the train to search for the deputy’s murderer; they are satisfied with “Ray Kincaid the mining inspector” due to his travelling with Alice. The deputies say that a wanted poster (with Larsen’s face on it) will arrive on the next day’s train.
In town, Larsen/Kincaid meets Alice’s widowed mother, Ellen Bailey, [Dorothy Green]. He attends a dance with Ellen, who says she wants to leave Tangle Blue. Though he tries to avoid getting involved with Ellen, they fall in love.
Mark is having problems with the rich landowner Reed Williams, [Alan Baxter], fencing off open range government land. Larsen/Kincaid finds all the roads away from Tangle Blue are guarded by deputies who prevent anyone from leaving until the wanted poster comes. Desperate for cash, he decides to earn some money as a deputy for Mark. He proves his ability as a lawman by preventing a showdown between Williams’ gang and Mark.
As part of his duties, Mark cuts down Williams’ barbed wire fences, but Williams’ men rebuild them. Mark reminds Larsen/Kincaid of Danny. Returning to town to drink, Williams’ gang menace Larsen/Kincaid, who beats up Williams in a fair fight, but Larsen/Kincaid is then worked over by Williams’ gang. The next day, Larsen/Kincaid is the only deputy willing to go with Mark to cut down Williams’ fence. They find it unrepaired; Mark prepares to go back to meet the train with the wanted posters, which leaves Larsen/Kincaid free to leave town by the very road he is supposed to guard. But then Purdy, one of Williams’ hired men, arrives and repairs the fence. When Mark discovers this, he comes back to cut it again. Purdy draws a gun and is about to shoot Mark. Larsen/Kincaid disarms Purdy, and then also shoots the barbed wire, which snaps back and entangles Purdy. Mark goes to meet the train, leaving Larsen/Kincaid to slowly untangle the wire around Purdy. Soon Williams and several of his men arrive and shoot at Larsen/Kincaid, who escapes on horseback back to town. Pursued, he defends himself from the roof of a boarded-up house. He kills several men, but is wounded and falls through the rotted roof. Losing his gun and injuring his leg, he struggles to crawl downstairs. Purdy, the last of Williams’ men, jumps down through the hole in the roof and makes it to the top of the dark stairway, just as Williams gets the door open. Williams shoots the figure in the dark, killing Purdy. Larsen/Kincaid retrieves Purdy’s gun and kills Williams.
When Mark and others arrive, one of the men looks at the unconscious Larsen/Kincaid, then at the wanted poster he is holding, and says, “He’s the man we’re after alright.” > He’s the man we’re after alright. Mark then says that he will testify for Larsen/Kincaid at his trial.
Last Updated: October 09, 2025 at 11:06
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
A wanted man builds a new life while relentlessly pursued by his past.If you liked the tense, fast-paced chase in Face of a Fugitive, explore other films about hunted individuals forging new identities under pressure. These Westerns, thrillers, and dramas share a gripping narrative of life on the run, false accusations, and the desperate search for redemption in unwelcoming places.
The narrative pattern follows an innocent or wrongly accused individual fleeing justice. They find temporary refuge in a new community, but external pursuers and internal town conflicts quickly escalate, forcing a final, violent confrontation where the protagonist must prove their worth or innocence.
Movies are grouped here for their shared focus on the fugitive experience—paranoia, the burden of a false identity, and the struggle for a second chance. They deliver a consistent vibe of high-stakes tension and urgent pacing, often set against the backdrop of a dusty, morally ambiguous frontier.
Lawlessness and moral ambiguity clash in dusty frontier settlements.Find movies like Face of a Fugitive that capture the specific anxiety of life in a dusty border settlement. These stories often feature land disputes, shady newcomers, and tense standoffs, creating a palpable sense of danger and moral complexity in a lawless environment.
The narrative typically unfolds in an isolated town on the edge of civilization, acting as a pressure cooker for conflict. A newcomer's arrival disrupts a fragile balance, igniting existing tensions over land, power, or secrets, leading to a climactic showdown that defines the town's future.
This thread groups films that share a distinct atmospheric quality: the tense, gritty vibe of a border town as a central character. The combination of a precarious setting, high-stakes external threats, and internal town politics creates a coherent experience of sustained anxiety and moral grey areas.
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Track the full timeline of Face of a Fugitive with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
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