Egg

Tina relocates to the same neighborhood as her former art school rival, Karen, along with her husband Wayne. Eager to establish herself and showcase her accomplishments, she hopes this move will help mend their rivalry and allow for a fresh start.

Determined to bridge the gap, Tina invites Karen and her husband Don over for dinner at her stylish industrial apartment. As the evening unfolds, there is an undercurrent of tension as Karen and Don display snobbery towards Tina and Wayne’s grounded lifestyle.

During dinner, Tina and Don discover a mutual interest in certain topics, highlighting the awkwardness with Karen. This leads to increasing discomfort as Karen finds herself at odds with Tina's unconventional views on childbirth and femininity.

A pivotal moment occurs when Karen smugly expresses pity for childless women, only to be stunned when Tina announces her own pregnancy plans. This revelation sets off a heated discussion about motherhood that reveals their starkly different philosophies on childbearing.

Tina provocatively claims that her approach to motherhood is an art project designed to challenge societal norms regarding women’s work. This bold statement shocks Karen, further fueling their argument and showcasing their ideological disparities.

Tina's unconventional surrogate, Kiki, confides in Wayne about her complicated relationship with her married boyfriend Clarke. This situation adds layers of turmoil and emotional stakes for both Tina and Kiki, as Wayne grapples with loyalty to both women.

Karen opens up to Tina about her growing frustrations with Don and her fears of infidelity. This revelation highlights the cracks in her marriage and mirrors the tensions unfolding between all the characters involved.

As Kiki's intentions for the pregnancy become uncertain, Tina's frustration grows. She confronts Kiki about her choices and questions Wayne's loyalty, feeling as though she is losing control over her carefully crafted plans.

Don extends a generous offer to Wayne for a luxurious apartment, prompting Wayne to reconsider his commitment to Tina. This offer catalyzes Wayne's desire to explore a potential new beginning with Kiki, leading to conflicts in Tina's ambitions.

Faced with the potential reality of losing Wayne, Tina passionately urges Kiki to have an abortion. Kiki's resistance to this suggestion reveals deeper conflicts regarding their different paths and the emotional weight of their choices.

Tina finds herself increasingly isolated as Wayne chooses to pursue a life with Kiki, reluctantly accepting the shifts in their relationships. This loss lays bare Tina's struggles with ambition and the societal expectations of motherhood.

One year later, Tina unveils her new art collection, symbolizing her growth and personal evolution. During this event, she unexpectedly encounters Wayne, who approaches her with his new daughter, representing the significant consequences of their decisions.

As the story concludes, Tina reflects on the societal norms and personal identities that influenced their choices. The narrative leaves audiences contemplating the intricate web of relationships and aspirations that shape their lives.