East of Ipswich

Seventeen-year-old Richard is on a beach holiday with his parents and longs for more freedom than the traditional seaside routine offers. He is impulsive, curious, and prone to quick changes of plan, which leads him into a risky nightlife with friends. His sexual awakening becomes the emotional center of the story and tests his relationships with both peers and family.

Edwin is the girl-crazy, confident friend who takes Richard under his wing. He pushes boundaries, scopes for romance, and persuades the group to pursue adventures, including the foursome with Julia and Anna. His bravado and willingness to take risks act as a catalyst for the night’s events.

Julia is a key participant in the dating plans, agreeing to a date with Edwin only if Anna can join. She embodies a mix of practicality and willingness to experiment, helping drive the group into new social territory. Her actions contribute to the quartet’s dynamics and the ensuing complications.

Anna is a Dutch exchange student whose presence expands the group’s dynamics. She joins the foursome and participates in the night’s adventures, illustrating cultural curiosity and a readiness to explore new experiences. Her role heightens the sense of crossing boundaries during the holiday.

Miss Wilbraham is the formidable owner of the boarding house, enforcing strict schedules and conventional norms. She represents the social authority that attempts to regulate the teenagers’ behavior and maintain decorum. Her presence underscores the gap between adult control and youthful longing.

Mr Horrobin is part of the household milieu, embodying the formal, sometimes rigid social world surrounding the teenagers. His interactions contribute to the sense of adult propriety and the expectations that families bring on holiday. He stands as a quiet counterpoint to the teenagers’ exploration.

Mrs Horrobin completes the couple with Mr Horrobin, adding to the atmosphere of conventional manners and social formality. She represents parental concern and the norms that guide the holiday’s routines. Her presence reinforces the contrast between youth’s desires and adult expectations.

The Vicar is the local church figure who helps organize the beach service and embodies the community’s moral framework. He, along with the minister, highlights the religious dimension of the youths’ social world. His involvement foreshadows the moral scrutiny the teenagers face after their escapades.

Mr Hargreaves is one of the local adults whose presence adds to the town’s social fabric and the guarded, class-conscious atmosphere. He helps illustrate the norms and expectations the teenagers brush up against during their summer in Easton.

Mrs Hargreaves shares the conservative temperament of her spouse, contributing to the sense of a tightly knit community with defined roles and expectations. Her reactions to the teenagers’ actions emphasize the potential consequences of crossing social boundaries.

Richard’s father represents the parental authority that reluctantly yields some ground to his son’s youth, yet ultimately makes the decision to cut holidays short when things go awry. His role frames the familial stakes of the holiday.

Richard’s mother embodies the social expectations of propriety and care, guiding the family’s decisions and reacting to the day’s discoveries. Her perspective highlights the clash between protection and letting go during adolescence.

A friend in the group who contributes to the social dynamics of the holiday scene, bringing additional attitudes and reactions to the group’s plans. He helps shape the night’s choices and their outcomes.

One of the local bikers who becomes part of the escapade when Anna tries to leave with them. His role heightens the sense of danger and thrill in the teenagers’ late-night adventures.

The other biker who joins the chase, contributing to the chaotic chase through the dunes and the romantic finale. His presence underscores the impulsive risk the night takes.