Don’t Torture a Duckling

Don’t Torture a Duckling

Year: 1972

Runtime: 105 mins

Language: Italian

Director: Lucio Fulci

HorrorIntense violence and sexual transgressionThrillers and murder mysteriesHorror the undead and monster classicsCrime drugs and gangsters

Lucio Fulci’s unsettling thriller follows a hard‑boiled reporter and a sexually liberated young woman as they investigate a string of brutal child murders in a secluded southern Italian village, where ancient superstitions and a deep mistrust of outsiders dominate daily life. Their probing draws them into a nightmarish web of folk beliefs and hidden secrets that threaten anyone who dares to uncover the truth.

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Timeline & Setting – Don’t Torture a Duckling (1972)

Explore the full timeline and setting of Don’t Torture a Duckling (1972). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

1970s

The story unfolds in the early 1970s in rural Italy, where traditional values clash with modern attitudes. Journalists descend on the village as media interest grows, turning a provincial murder case into a national affair. The period mood amplifies suspicion, moral judgments, and sensationalism in the investigation.

Location

Accendura, Basilicata, Italy

Accendura is a remote Basilicata village whose narrow streets and close-knit community foster gossip and superstition. Its hillside setting and religious traditions create a claustrophobic backdrop as a string of brutal killings unsettles everyone. The surrounding mountains hide secrets and a sense of ancient fear that permeates daily life.

🏞️ Rural village 🧭 Basilicata setting 🌧️ Atmospheric small-town life

Last Updated: October 04, 2025 at 18:01

Main Characters – Don’t Torture a Duckling (1972)

Meet the key characters of Don’t Torture a Duckling (1972), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Andrea Martelli — Tomas Milian

A Rome journalist who arrives in Accendura and partners with Patrizia to uncover the truth behind the killings. He is observant, skeptical of superstition, and drawn to the human drama in a village marked by fear and rumor. His investigation drives the plot as he navigates village loyalties and moral judgments.

🗞️ Journalist 🧭 Investigator 💡 Analytical

Patrizia — Barbara Bouchet

A former Milan reporter living in the village, she faces ostracism for her cosmopolitan ways. She exudes a modern, provocative presence that unsettles the locals and complicates her relationship with Andrea. Her ambiguous behavior and past scandals make her a suspect and ally at once.

🗺️ City outsider 🎭 Complex

Maciara — Florinda Bolkan

A reclusive Gypsy witch rumored to practice black magic and connected to the murders. She confesses under duress but seems to believe only in her dolls’ magic, not physical methods. Her brutal treatment by the crowd exposes the danger of scapegoating the innocent.

🔮 Witchcraft 🌗 Reclusive

Don Alberto Avallone — Franco Balducci

A respected local priest who oversees the boys’ group. He ultimately murders the children not to condemn their sins, but to prevent them from sinning as they grow up, revealing a chilling moral code. His clash with Andrea culminates in a fatal confrontation.

🙏 Priest 🧭 Moralistic

Aurelia Avallone — Irene Papas

Alberto's mother and the keeper of a six-year-old deaf-mute daughter, Malvina. She disappears with her daughter, prompting Andrea and Patrizia to intervene. Her character embodies maternal concern and the tension between family loyalty and the town’s dark secrets.

👩 Mother 🕊️ Protective

Francesco — Georges Wilson

An eccentric hermit who practices black magic and is rumored to have had a child with Maciara. He represents occult knowledge in the village and is both a suspect and a source of rumors the investigation must weigh.

🧙 Hermit 🔮 Occult

Giuseppe Barra — Vito Passeri

A simple local who is arrested for Bruno’s ransom incident but is later exonerated when Bruno’s body is found; his arrest highlights how fear and rumor can frame justice in a small town.

👤 Local 💡 Innocent

Mr. Lo Cascio (Bruno's Father) — Andrea Aureli

Bruno's father, a village figure who embodies the domestic tension and protective yet sometimes harsh attitudes of small-town life.

👨 Father 🏡 Village resident

Mrs. Lo Cascio (Bruno's Mother) — Linda Sini

Bruno’s mother, whose reactions reflect the community’s heartbreak and concern for the missing child and the impact of the murders on families.

👩 Mother 💔 Grief

Last Updated: October 04, 2025 at 18:01

Major Themes – Don’t Torture a Duckling (1972)

Explore the central themes of Don’t Torture a Duckling (1972), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

🕯️ Morality

The close-knit community enforces strict moral codes, ostracizing outsiders and judging behavior. The murders reveal hypocrisy and the cost of suppressing uncomfortable truths. Friends become suspects, and hometown solidarity masks darker undercurrents.

🔮 Superstition vs Reason

Witchcraft rumors and occult rituals contrast with rational police work and journalism. Maciara’s claimed powers collide with forensic discovery, challenging what the town believes and what actually happened. Belief can both explain and obscure truth.

📰 Media & Exposure

Reporters and the national press turn a rural tragedy into headlines, changing how the village is perceived and how the case is pursued. The media gaze fuels fear, sensationalism, and pressure on investigators. The town’s secrets become commodified for public consumption.

Last Updated: October 04, 2025 at 18:01

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Don’t Torture a Duckling Summary

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Don’t Torture a Duckling Summary

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Don’t Torture a Duckling Timeline

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