Year: 1978
Runtime: 85 mins
Director: Teo Hernández
Haunted by death, foreclosure and fetal vertigo, the tetralogy drives CRISTAUX into an inner labyrinth. Influenced by Michel NEDJAR, Hernandez drops rush‑cut editing, shaping the film wholly in‑camera – “the camera becomes a second eye.” The style appears in Lacrima Christi’s openings, where a Christian myth seems to exorcise, while a Nietzsche‑like pantheistic intoxication grips the surroundings, opening new semantic paths.
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