Year: 2012
Runtime: 97 min
Language: English
Director: Andrew Dominik
Budget: $15M
Following a poorly executed robbery, the criminal underworld descends into chaos. Two amateur thieves botch a mob-run casino heist, triggering a chain of events that draws the attention of a cold and calculating enforcer. He is tasked with restoring order and punishing those responsible, leading to a violent and suspenseful pursuit filled with danger, double-crosses, and a brutal examination of American justice.
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During the tumultuous period of the American financial crisis and the 2008 presidential election campaign, Johnny “Squirrel” Amato, played by Vincent Curatola, hatches a plan to rob a Mafia poker game. To execute this risky venture, he ropes in Frankie, portrayed by Scoot McNairy, a former business partner, and Russell, a heroin-addicted Australian expatriate played by Ben Mendelsohn, who resorts to stealing purebred dogs for money. Despite their shared objective, tension brews between Johnny and Russell; Johnny believes Russell’s reckless tendencies could jeopardize their chances. Likewise, Russell, who has ambitions of becoming a drug dealer once he saves up enough cash, views Johnny as too weak.
They set their sights on a poker game run by Markie Trattman, depicted by Ray Liotta, who has a dubious history of staging an inside job by hiring crooks to rob his own illegal poker operation. Johnny estimates that due to Markie’s past, he will be the prime suspect, making it easy for the Mafia to dispose of him without further investigation when the heist occurs. The Mafia, embodying a ruthless vigilante approach, sends Dillon, characterized by Sam Shepard, to question Markie. Markie manages to survive the initial interrogation, but his luck may not hold for long.
When Frankie and Russell execute the robbery, despite their amateurish methods—using dishwashing gloves and a sawed-off shotgun—they successfully make off with the money after robbing not just the poker game but also the players involved. In the aftermath, a Mafia operative named Driver, embodied by Richard Jenkins, hires hitman Jackie Cogan, expertly portrayed by Brad Pitt, to address the fallout from their actions. Jackie, adept at assessing situations, recognizes that Markie wasn’t implicated in the heist but concludes that eliminating him is necessary to set an intimidating example for other potential robbers.
Jackie’s tactical approach to hits is one of detachment; he prefers to eliminate targets swiftly and without emotional turmoil. However, when he assigns the task to execute Markie to two brothers, Barry and Stevie, the plan unfolds with unexpected brutality. Despite Markie’s protestations of innocence, the beating he receives is harsh, encapsulating the desperation in the underworld.
As Russell heads to Florida to offload stolen dogs, he inadvertently reveals details of the heist to a potential drug dealer named Kenny Gill. This slip sets off alarm bells, allowing Jackie to piece together the trio’s involvement. Meanwhile, with tensions escalating, Jackie decides that it’s time to personally handle the matter involving Squirrel. After some maneuvering, he gains the information he needs from Frankie about Squirrel’s whereabouts. The confrontation culminates in a shocking twist when Jackie unexpectedly executes Squirrel.
As the presidential election night unfolds with Barack Obama delivering his victory speech, Jackie finally meets Driver to settle the score for the three contracted hits. A heated exchange ensues regarding the price for Jackie’s services, reflecting the grit of their world. Jackie’s explosive declaration sums up the film’s harsh reality: > “This guy wants to tell me we’re living in a community? Don’t make me laugh. I’m living in America, and in America, you’re on your own. America is not a country; it’s just a business. Now pay me.”
This narrative knits together ambition, crime, and the ruthless quest for survival against a backdrop of economic despair.
Last Updated: November 04, 2024 at 00:21
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Crime stories where the real villain is a corrupt, ruthless system.If you liked the biting social commentary in Killing Them Softly, explore more movies that use crime narratives to critique capitalism, politics, and the American dream. These films combine gritty underworld action with a bleak, philosophical perspective on systemic failure.
The narrative follows characters navigating a harsh, rules-based underworld, only to reveal that the system they operate within is just as predatory and unforgiving as the society it mirrors. The plot often culminates in a realization that individual actions are insignificant against the backdrop of a larger, corrupt machine.
Movies are grouped here for their shared focus on using crime as a lens to examine societal ills. They share a bleak tone, heavy emotional weight, and a central theme that equates criminal enterprise with the ruthlessness of modern capitalism or governance.
Stories of amateur criminals triggering a violent, inevitable reckoning.Fans of Killing Them Softly's tense, violent pursuit and bleak ending will find more movies here about botched heists and the ruthless enforcers who clean up the mess. These films are characterized by high suspense, graphic violence, and a fatalistic view of criminal justice.
The narrative pattern involves a catalyst—often a robbery or betrayal—that disrupts the balance of a criminal organization. This forces the introduction of a calculating protagonist whose job is to methodically eliminate the problem, resulting in a linear, tense, and violent progression towards an unforgiving conclusion.
These movies share a specific plot structure of cause-and-effect violence within organized crime. They are united by a high-tension, steady pacing, a bleak tone, and a focus on the cold, business-like mechanics of punishment and 'justice' in a lawless world.
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