Coal Black and de Sebben Dwarfs

The cartoon unfolds in a fantasy fairy-tale world with distinct locations: the Sebben Dwarfs' military-style camp in the woods where So White works as a cook, and the Wicked Queen's lavish lair filled with hoarded wartime ration goods. The story is framed by a cozy fireplace room where a mammy-like storyteller begins the tale, anchoring the fantasy in a domestic setting before expanding into the wider wartime parody world.

The cartoon is set during World War II era (early 1940s), blending 1940s wartime American culture with a fairy-tale plot. The setting incorporates period-accurate elements like rationed goods, swing-era music, military uniforms, and a general wartime mood, though it remains within a comic, magical framework.

The film uses its fairy-tale premise to lampoon wartime culture and rationing, mixing magical characters with military tropes to create a parody of propaganda. The dwarfs are portrayed as uniformed soldiers, the Queen hoards ration goods, and the entire story plays with contemporary wartime attitudes while remaining a comedic, exaggerated cartoon.

The Wicked Queen uses beauty and privilege as weapons, attempting to eliminate So White and hoard resources for herself. This serves as a satire on vanity and control, with the Queen representing greedy authority figures who exploit wartime scarcity for personal gain.

So White evolves from a laundry worker to an active ally for the dwarfs, demonstrating resilience in the face of danger. She endures poison, pursuit, and near-death, with her determination and resourcefulness driving the story's comedic heroism and eventual triumph.

So White is the central protagonist, a hard-working girl who does laundry before becoming the Sebben Dwarfs' cook. She is portrayed as resourceful and resilient, enduring danger from the Queen's schemes and inspiring hope among the dwarfs as she transforms from a domestic worker into an active ally.

The Sebben Dwarfs are seven diminutive characters who serve as uniformed soldiers forming their own army camp in the woods. They recruit So White to be their cook, provide comic action throughout the story, and sing about their army life, anchoring the film's humor and wartime parody energy.

The Wicked Queen is the story's primary antagonist, a vain, ruthless monarch who hoards wartime ration goods in her lavish lair. She schemes to 'black out' So White through assassination attempts, using her magic mirror and manipulative charm to pursue her deadly plans, representing vanity and control as the film's main threat.

The mammy figure serves as the storyteller in the opening scene, offering a warm, maternal voice that frames the entire tale. This character anchors the fantasy fairy-tale world in a domestic, family setting before the war parody expands, providing a familiar narrative framing typical of early animated shorts.

Prince Chawmin' is a flashy prince character who arrives in a modern car and attempts to revive So White with a flurry of kisses that initially fail. He provides a satirical take on romantic clichés from traditional Snow White adaptations, with the comedic failed revival serving as part of the film's parody tone.

The short became infamous as one of United Artists' 'Censored 11,' removed from television syndication in 1968 due to overt racist stereotypes. The film employs exaggerated visual gags typical of its era that are now recognized as deeply problematic caricatures, which is why it remains controversial and rarely screened today.