Clear Blue Tuesday

CLEAR BLUE TUESDAY is a bold, emotionally charged indie rock musical drama that unfolds across seven unforgettable Tuesdays over seven turbulent years in New York City. The film invites audiences to ride a wave of love, desire, art, ambition, fury, grief, faith, fear, and hope as eleven New Yorkers become deeply connected through fate, chance, and the city they share. Set in the wake of catastrophe, the story probes what comes after disaster and how people summon the courage to breathe the clear blue air of possibility again.

On the Tuesday that starts it all—September 11, 2001—the film sketches a mosaic of lives that intersect and resonate in surprising ways. Rose, an artist, watches her world tilt as her boyfriend Kyle races up the corporate ladder, chasing a future that may not fit his heart. Daniel and Reena are preparing to welcome a new family member, yet their relationship is haunted by a lingering shadow, a ghost that tests their trust and patience. Caroline, a sharp, relentless businesswoman, searches for both her missing son and a sense of self fractured by a devastating injury. Sam, a hopeful aspiring actress, and her roommate Etta, a quirky Sci Fi harpist with a troubled family, wrestle with the elusive paths to love and fulfillment, trying to find their place in a city that never stops asking questions. Ricardo, a soulful porter, and Jain, who drifts from job to job, navigate the tensions between work, purpose, and belonging. And then there are two musicians who pulse through the narrative—the exuberant front-man for the Heavy Sex Trio, Syd, and the enigmatic street performer Jack—whose music and presence ripple through the lives around them, shaping choices and destinies in unforeseen ways.

As the camera and the music sweep through these eleven interwoven worlds on seven September Tuesdays, the film follows each character as they discover how to breathe anew, how to reclaim hope, and how to reimagine their futures in the aftermath of trauma. The emotional spectrum ranges from intimate, fragile moments to exuberant, life-affirming sequences, all carried by a soundtrack that forms the heartbeat of the story and amplifies the feelings that quietly guide each person toward connection.

The narrative voice is built on a collaborative, almost improvisational process: a director’s vision informed by the cast’s own songs and experiences, blending character development with personal songwriting to create a unique, living musical motion picture experience. Elizabeth Lucas directs the film, weaving together the emotional texture of the ensemble with a deft sense of pacing and atmosphere. The writing—a collaboration between Lucas and the film’s cast—delivers a story that feels both intimate and expansive, a portrait of a city in the middle of transformation. The production is supported by a strong team of producers, with the music album that accompanies the release promising to carry the heart of the story beyond the screen.

Within this tapestry, the character of Etta stands out as a beacon of individuality and tenderness: a harpist who navigates family troubles while seeking a meaningful connection in a world that often feels overwhelming. The ensemble’s journeys—whether they confront career pressures, personal loss, or the stubborn, stubborn beauty of hope—compose a chorus of voices that echo one another, turning personal trials into shared resilience. The film’s ending leaves audiences with a sense of renewal, suggesting that even after catastrophe, art, friendship, and love can help a city—and its people—rise again, breathing the clear blue air of possibility.

CLEAR BLUE TUESDAY is both a celebration of a vibrant, diverse New York and a meditation on persistence—the persistence of love, of memory, and of a city’s will to endure. The hybrid form of movie and music invites viewers to experience how stories and songs can intertwine to illuminate everyday transcendence, making the film more than a slice of time and more a living, moving testament to the power of human connection.

Last Updated: October 01, 2025 at 10:25