Year: 1963
Runtime: 6 mins
Language: English
Director: Robert McKimson
Sylvester Cat and his son Junior reside in a rundown dump. Determined to find a better life, Junior secures a house for them, but the widowed resident only wants to adopt Junior, separating the kitten from his father. Undeterred, Sylvester repeatedly schemes to sneak into the house and reunite with his son.
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Sylvester lives with his son in a city dump. Sylvester Jr. then decides to find a home for themselves. He finds one and notifies his dad in a hurry, making Sylvester think the fish cannery reopened, but the lady who lives there only wants to adopt Junior and separates him from his father. When the lady puts milk in a bowl for Junior, Sylvester starts drinking it but gets bopped on the head with a broom by the lady, who then takes Junior inside. Then Sylvester gets angry and starts knocking on the door and screaming: > Alright, you catnapper, come back with my son! Come on now, open up! <, but the lady hits him with the broom again, telling him to stay out.
For Sylvester’s next attempt, he takes Junior’s can of Pussy Kins Cat Food and hides in the television. When the lady turns on the TV (she and Junior were preparing to watch her favorite horse opera, Cheyenne McMaverick, Sheriff of Gory Gulch, which was on Channel 12), Sylvester is shown eating the food, then he holds up a sign: “Ask for it by name”, and starts ad-libbing a jingle for it: “Pussy Kins Cat Food tastes real good, satisfies cats like cat food should, hardens their muscles, softens their fur, Pussy Kins Cat Food makes them purr”, but the lady gets wise and throws him out of the house through a window, breaking said window, and throwing the can after him. Then Sylvester continues the “commercial”: “Are you getting more cat food lately… but enjoying it less?” (This is a parody of a Camel commercial from the period)
Junior lets Sylvester back in the house, but when he hears the lady coming (singing “Home on the Range”) Sylvester hides in the shower, but that is exactly where the lady goes. She absent-mindedly uses the cat to scrub her back, and wipes her feet on him as well, after she throws him out of the shower. He hides in her bathrobe which the lady puts on right after leaving the shower. With Sylvester unknowingly still in the bathrobe, the lady starts inserting rollers in her hair, but a few end up in Sylvester’s head. When the cat pops up from behind the lady, she screams and he makes a break for it.
Sylvester finally brings out the heavy artillery by filling the house with hordes of mice, muttering, “I’ll show that old bat I am worth my salt one way or another!”. Upon the lady’s screams, Sylvester comes in wearing a superhero’s cape and suit and announces: “This is a job for Superpuss!” He enters the house but is immediately thrown out by the mice who also eject Sylvester Jr. and the lady. The lady is infuriated with Sylvester, “An’ it’s all yer fault, ya stupid feline!” and pounds him on the head for having her evicted from her house.
The cartoon ends with Sylvester Jr., Sylvester, and the lady living at the dump. He is dividing up the chicken bones as in the beginning, but the lady orders him to “git up here with that grub, before I turn ya wrong side out! Ya silly cat!!!” Junior refers to them as being “one big happy family… I guess.”
Last Updated: October 09, 2025 at 11:04
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories where well-intentioned plans spiral into hilarious, escalating chaos.If you enjoyed the chaotic, escalating schemes in Claws in the Lease, you'll love these other movies and shows. This collection features comedies where characters' simple plans lead to a domino effect of silly mishaps, driven by fast pacing and whimsical humor.
The narrative follows a character with a straightforward goal, whose repeated attempts to achieve it are met with increasingly ridiculous and inventive failures. The structure is often episodic, presenting a new, absurd premise for each attempt, maintaining high energy and comedic rhythm throughout.
Movies in this thread share a core comedic structure of escalating failures, a light and whimsical tone, and a fast pace that keeps the audience engaged in the chaotic sequence of events. They prioritize clever, slapstick humor over deep emotional stakes.
Heartwarming tales of parents going to absurd lengths for their children.Fans of the persistent paternal love in Claws in the Lease will enjoy these movies about parents going to great lengths for their kids. These films often blend comedy and heart, focusing on the creative, sometimes absurd, measures taken to maintain a family bond.
The narrative centers on a parent whose primary motivation is their child's well-being or their connection to them. The central conflict arises from an obstacle separating them, and the plot is driven by the parent's often-misguided but heartfelt attempts to overcome this barrier, resulting in a mix of comedy and genuine emotion.
These films are grouped by their core theme of tenacious parental love, often expressed through comedic or lighthearted scenarios. They share a focus on the parent-child relationship as the emotional engine, even when the tone is primarily whimsical or silly.
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