Chinese Roulette

In a sleek Munich suburb, Ariane Christ and Gerhard Christ are a prosperous couple who carefully conceal a weekend of deception. They tell their twelve‑year‑old daughter, Angela, that they are traveling abroad, while in reality each plans to meet a secret lover at the family’s secluded country house. The daughter, confined to crutches and cared for by a mute governess named Traunitz, remains at home, unaware of the duplicity that will soon converge under the estate’s roof.

The manor itself is a study in restrained elegance, its stone corridors and tastefully appointed rooms framing a world where wealth masks unease. Managing the house is the stern housekeeper Kast, whose son Gabriel drifts through the rooms as a pretentious aspiring writer hoping to leverage the Christ family’s influence. Irene Cartis, Gerhard’s longtime mistress, and Kolbe, Ariane’s discreet companion, complete the cast of adults whose hidden desires will soon collide.

When the night falls, all four adults arrive together, their private betrayals laid bare in the same sitting room. The atmosphere crackles with a blend of sharp, almost clinical dialogue and a quietly sinister humor, as each character navigates the fragile balance between civility and the raw undercurrents of jealousy, resentment, and unspoken expectation. The estate’s opulent yet claustrophobic setting amplifies the tension, turning ordinary conversation into a delicate, unspoken contest of power.

Against this backdrop, the weekend evolves into a series of unsettling exchanges, where questions become weapons and silences speak louder than words. The film lingers on the uneasy choreography of a family and its guests, inviting the audience to sense the mounting pressure without revealing how it will ultimately resolve.

Last Updated: December 04, 2025 at 18:07