Cash Only

In the rust‑streaked neighborhoods of Detroit, a looming foreclosure threatens more than just brick and mortar—it puts an entire family on the brink. The city’s gritty rhythm pulses through cramped apartments and aging streets, a backdrop where survival often means balancing on a knife‑edge of bills, obligations, and the ever‑present whisper of debt. Here, ordinary life is colored by the relentless pressure of a financial system that offers no mercy, and every decision feels weighted by the cost of staying afloat.

Elvis Martini is a landlord trying to keep his world from collapsing. He juggles the responsibilities of raising his daughter alone while grappling with mounting obligations that could strip away everything he has worked for. When a sudden, unexpected opportunity surfaces—a hidden stash of cash that could settle his most pressing dues—it also opens a door to a far more dangerous set of expectations. The urgency of his situation is amplified by a tight deadline: he must gather $25,000 in cash, and he has only 24 hours to do it.

The film paints a portrait of a man caught in a web of uneasy alliances and strained relationships. Tenants, each carrying their own struggles, become part of an intricate, uneasy dance where every interaction hints at deeper, unspoken tensions. The atmosphere is thick with suspense, as unseen forces hover on the periphery, ready to exploit any misstep. The tone oscillates between the intimate moments of a father’s devotion and the cold, calculating world of street‑level economics, creating a sense of claustrophobic urgency.

As the clock ticks, the stakes rise with each passing minute. The requirement of “cash only” transforms a simple financial shortfall into a high‑risk gamble, forcing Elvis to confront what he’s willing to sacrifice for his daughter’s future. The film’s style is raw and unflinching, immersing the audience in a relentless chase against time where every choice could mean salvation—or loss.

Last Updated: October 05, 2025 at 16:55