Carry On Up the Khyber

A member of the Burpa tribe whose presence helps shape the cultural clash at the heart of the mission. He embodies the film’s playful mix of stereotype and authority within the imperial machine.

Warlord of the Burpa tribe and central antagonist. He drives the invasion plot with theatrics and bluster, serving as a satirical foil to officialdom.

A powerful local ruler who schemes to discredit British troops by exploiting a controversial underwear controversy. He uses charm and menace to escalate conflict while remaining a target of ridicule.

A schemer who leverages a provocative photograph to gain political leverage. Her actions demonstrate wit, flirtation, and calculated social maneuvering.

Governor Sir Sidney Ruff-Diamond’s wife, who uses seduction and social influence to extract political advantage. Her machinations propel the plot and amplify the farce.

British army captain and love interest of Princess Jelhi. He embodies the romantic, chivalric side of the imperial mission while navigating disguise and diplomacy.

Daughter of the Khasi who allies with the British through her affection for Captain Keene. She aids the escape and injects diplomacy into the conflict.

Governor of Kalabar and ceremonial authority who improvises during crisis. His political ineptitude becomes a backbone for the humor as the invasion unfolds around dinner.

A rigid, disciplined military officer whose seriousness contrasts with the chaos around him, embodying the ironic order of the empire.

Incompetent recruit whose underpants incident triggers the central ruse. His bumbling missteps provide the film’s comedic engine and undercut faux bravado.

A dubious mystic whose performance is derided by the Khasi. His severed head, still talking, punctuates the farce with macabre humor.