Benny’s Video

In a quiet suburban home where televisions, cassette players and old camcorders litter every surface, a teenage boy finds his refuge behind a lens. Benny spends hours replaying scenes of graphic violence, his fascination with recorded blood and the mechanics of murder growing into an obsession that eclipses the ordinary concerns of his peers. The house itself feels like a silent gallery of media, each device a reminder of a world he watches rather than lives.

His parents, Georg and Anna, maintain a calm, almost detached routine, their emotional distance offering little guidance for a child whose inner life is mediated through flickering screens. Their conversations drift around practicalities while the echoes of violent film scores linger in Benny’s room, shaping a private reality where the line between viewer and creator begins to blur. The family’s outward normalcy masks an undercurrent of tension, as the teenage boy quietly rehearses the idea of turning his fascination into something tangible.

When Benny decides to craft his own video—a project that mirrors the brutal aesthetics he adores—the prospect of showing it to his parents hangs in the air like an unspoken challenge. The notion of presenting such a work to the adults who remain largely oblivious to his inner world creates a fragile balance between curiosity and dread. A neighbor, Eva, briefly surfaces in conversations, hinting at the occasional social interruptions that punctuate the household’s insulated existence.

The film unfolds in a stark, observational style, using the language of surveillance and home recordings to heighten the sense of detachment. Its muted color palette and steady, clinical framing reinforce the feeling that every moment is being archived, waiting to be examined. As Benny’s obsession deepens, the story invites viewers to contemplate how media can become both a mirror and a weapon, and what lies just beyond the surface of a family that quietly watches its own unraveling.

Last Updated: November 29, 2025 at 04:43