The movie opens with an enthusiastic Amrutham Rao Srinivas Avasarala plotting a grand dream: a journey to the Moon. The tone blends lighthearted ambition with a dash of space-age curiosity, setting the stage for a story that mixes comedy, friendship, and a dash of overconfident hustle.
Fast forward about four years, and Amrutham Rao is joined by his close ally Anjaneyulu “Anji” Harish Koyalagundla. The two have transformed into unlikely billionaires, a turn that seems almost effortless in their world of wild schemes and big plans. The shiny surface of their success begins to crack when Appaji Sivannarayana Naripeddi suffers a staggering loss through what’s called Amrutha Vilas, a venture that flops and leaves him scrambling for a lifeline. He pursues a commission-based rescue, hoping to recoup some of the damage, but the gambit doesn’t pan out.
Into this muddle steps Chandu Rao Ramesh, Appaji’s nephew, who works at the Rocket Travel Company (RTC), a fictionalized nod to the region’s real space and transport agencies. Chandu becomes a bridge between the faltering elder and the two carefree money-makers, and the plan quickly veers toward a daring matchmaking scheme: to pair Doll Reddy Pavani Reddy with Sameer Ali Reza. Pol Reddy [Ahuti Prasad], a factionist father who guards tradition with a stern fist, isn’t exactly pleased with the match, and his henchmen—Hole Reddy, Mole Reddy, and others—watch warily from the sidelines. Yet Appaji and Chandu see a bigger opportunity: a bold deal that could catapult the group toward a lunar venture.
The deal moves forward, and the trio—Amrutham Rao, Anji, and their entourage—are drawn into a plan that would take them all to the Moon. But the wheels come off when RTC crumbles, washing away the wealth that sustained their lifestyle. Appaji’s anger grows, directed at Chandu for the faltering scheme. Now, the group faces a collapsing world: Amrutham, Anji, their wives, Sameer, and Doll Reddy must improvise to survive, often wearing disguises to dodge Pol Reddy’s vigilant eye.
As the plot thickens, a startling confession slips into the night: Sameer is described as the son of an international terrorist, Sin Laden, a fictionalized mirror of historical headlines. Appaji is forced to reckon with this revelation as the group navigates a web of fear, loyalty, and comic misdirection. The burden of safety pushes them to consider drastic options, and Sarveswaran “Sarvam” Inturi Vasu enters with a pragmatic counterpoint: there is ₹60,000 in the bank, a modest sum that could buy a more cautious exit or fuel a different dream.
Two paths diverge. The lawyers’ counsel reveals that RTC’s assets were acquired by Ming and Lee, a Chinese space company, leaving them with a choice: pursue a refund or chase the Moon once more. Amrutham leans toward the prudent refund, but Anji remains restless, fixated on the Moon’s unknown horizons. In a bold turn, they opt for the celestial route, moving from debt and despair to ambition once again.
The journey to the Moon becomes a crucible for friendship. On the lunar surface, Amrutham and Anji discover a new rhythm in farming and survival, a surprising pivot from scheming to cultivation under alien skies. They encounter a pragmatic engineer character—Krishna Bhagavan—who helps them interpret the Moon’s peculiarities and keeps the mission grounded amid the chaos of the unfolding family drama.
Back on Earth, plans for the wedding of Sameer and Doll Reddy move ahead, with Sarvam and Appaji’s daughter—whose relationship threads into the broader family saga—forming a delicate backdrop to the unfolding events. But the revelation that Sameer is Sin Laden’s son injects a fresh wave of tension as Appaji, Chandu, Pol Reddy, and Sin Laden themselves head skyward in a climactic ascent that unleashes chaos on the Moon. Everyone scrambles to keep the retrofitted dream from spiraling into disaster, yet through it all they manage to keep most of their people safe.
A divine miscue by the town priest—L. B. Sriram L. B. Sriram—adds a darkly comic edge: he warns that stripping down to bare essentials could be fatal within 60 seconds. The group’s scramble to interpret and survive the prophecy adds another layer of farce to the already tangled plot, underscoring the blend of superstition, bravado, and misadventure that defines their journey.
In the end, through a mix of cunning, misdirection, and stubborn resilience, the band manages to secure a pathway back to Earth. They report the capture of Sin Laden to the NYPD and the Egyptian National Police, sealing a conclusion that leans toward restoration and reconciliation rather than triumph through bravado alone. Amrutham and Anji, weathered by the trials and tempered by shared experiences, return to a life that resembles the one they began with—a long-standing friendship, a sense of purpose, and a hope for quieter days ahead. The film closes on a note of steadiness and contentment, with the friends and their families finding happiness in return to normalcy after a journey that tested their bonds, their beliefs, and their willingness to chase an impossible dream.
Key characters and their paths in this story are driven by ambition, loyalty, and a playful willingness to gamble on the future. It’s a narrative that uses space-age fantasy as a mirror for friendship, family, and the everyday humor that arises when plans go awry but people refuse to quit. Throughout, the tone remains buoyant and accessible, inviting audiences to enjoy the twists, the laughter, and the quiet moments of connection that keep the characters moving forward, even when the odds seem stacked against them.
