Almanya: Welcome to Germany

Six-year-old Cenk Yılmaz begins to question where he truly belongs as he isn’t chosen for either the German or Turkish soccer teams in his German school. The moment highlights his struggle with language and identity, a theme that runs throughout the film. This personal doubt foreshadows the migrant family saga that follows.

At a family meal, Grandmother Fatma proclaims her newly acquired German citizenship, underscoring the dual identities of the family. Grandfather Hüseyin reveals he has bought a house in Turkey as a summer home, foreshadowing upheaval and relocation. The meal crystallizes the central tension between staying in Germany and returning to Turkey.

Cenk's 22-year-old cousin Canan begins to tell the family how their grandfather came to Germany in the 1960s as the 1,000,001st guest worker. She explains how Hüseyin later brought the whole family to Germany, carrying dreams and worries. The story frames the generations' experiences of migration, labor, and belonging.

The family travels to Turkey and rents a bus to drive toward their ancestral town in East Anatolia. They hope to see the house Hüseyin bought years earlier and plan to renovate it. The journey marks a return that juxtaposes nostalgia with the precariousness of their fortunes.

On the road, Hüseyin senses that Canan is pregnant and responds with empathy and warmth. The moment reveals the grandfather's humanity and his deep care for the family. It also foreshadows the future generation joining their circle.

Hüseyin is invited to give a speech at a ceremony at Bellevue Palace in Berlin to thank guest workers. The invitation underscores his status as a bridge between cultures and the evolving relationship between Germany and the immigrant community. The moment heightens the sense of responsibility he carries for chronicling the family story.

While en route to the family’s Turkish house, Hüseyin dies suddenly, shocking the relatives and abruptly halting their trip. His death intensifies the film’s meditation on migration, memory, and belonging. The family must confront an unfinished plan and an uncertain future.

Because Hüseyin recently obtained German citizenship, Turkish authorities refuse to allow burial in a Muslim cemetery. The family takes his body to his old hometown and buries him there, surrounded by generations as they gather around the grave. Cenk experiences a powerful sense of lineage as he watches the living and the dead meet at the graveside.

The house Hüseyin bought turns out to be a ruin, underscoring the fragile dreams of migrant families. His son Muhamed decides to stay in Turkey to rebuild the house and perhaps realign the family's future. This decision marks a shift, with one generation staying and the rest returning to Germany.

The rest of the family returns to Germany, resuming their regular life while carrying the weight of the recent losses and revelations. The return deepens the ongoing negotiation of heritage, citizenship, and home across two countries. The film frames these choices as part of a longer, shared journey.

Back in Germany, Cenk gives the speech Hüseyin prepared for the guest-workers ceremony, addressing Chancellor Angela Merkel. He stands before the German leader and embodies the family’s bridge between Berlin and Istanbul, memory and present. The moment serves as a culmination of the family’s migration story and its commitment to both homelands.