A Man Named Pearl

In 1976, Pearl Fryar accepted a position at a can factory in Bishopville, South Carolina. This marked the beginning of his journey in a new community, where he would later make a significant impact through his art.

While exploring their new surroundings, Pearl and his wife, Metra, discovered a house for sale in a predominantly white neighborhood. Unfortunately, they encountered racial prejudice from their real estate agent, who was discouraged from selling to a black family.

When negotiating for their home, Pearl encountered a homeowner who openly expressed racial stereotypes, stating that 'Black people don't keep up their yards.' This discriminatory remark fueled Pearl's desire to prove such beliefs wrong.

Determined to change perceptions, Pearl purchased a home in a predominantly black neighborhood instead. He set out on a mission to cultivate a remarkable garden that would soon become a symbol of pride and beauty.

Pearl aspired to be the first African-American recipient of the coveted Yard of the Month award in Bishopville. He knew that to achieve this, he needed to create a garden that would captivate the local garden club.

To impress the garden club, Pearl began his ambitious project of transforming ordinary bushes and trees into stunning abstract shapes. This transformation would lead to the development of a breathtaking topiary garden.

Pearl's extraordinary topiary garden began to earn him local accolades and attention. His unique artistry attracted thousands of visitors, helping to shine a light on both his skill and the town of Bishopville.

As his fame grew, Pearl was featured in numerous magazines and newspapers, including The New York Times. He made appearances on popular television shows like CBS Sunday Morning, further solidifying his status as a topiary artist.

The influx of visitors to Pearl's garden began to channel crucial tourist revenue into Bishopville, recognized as the most impoverished county in South Carolina. His efforts not only brought beauty but also economic opportunity to the struggling town.

Beyond economic benefits, Pearl’s garden has fostered a deep sense of community and spiritual resonance among its visitors. As Rev. Jerome McCray noted, it became a place where both black and white people could gather and feel a sense of love.

Visitors to Pearl's three-and-a-half-acre garden are met with the vibrant inscription of 'LOVE, PEACE, & GOODWILL.' This message embodies Pearl's philosophy as he nurtured his garden for nearly three decades, showcasing the principles he lived by.

A Man Named Pearl delivers an uplifting narrative about self-respect and mutual understanding. It demonstrates the transformative power of artistic expression and its ability to bridge divides in a community.

Now aged 67, Pearl stands as a testament to resilience and creativity, having changed lives through his art. His story continues to inspire others to embrace diversity and foster a sense of belonging.