A Letter to Three Wives

In a quiet river‑town where social clubs and weekend outings define the rhythm of life, a single, unsettling note throws three long‑time friends into a whirl of doubt. Their confidante, Addie Ross, announces that she has slipped away with one of their husbands, but she refuses to reveal whose. The message arrives just as the women are preparing for a festive riverboat gathering, a tradition that has always celebrated their shared histories and the stability of their marriages.

Deborah Bishop is a former WAVES veteran whose transition from the disciplined world of the Navy to a small‑town social scene has left her feeling both proud and out of place. Rita Phipps balances the demands of a husband who teaches high school English with her own yearning for a broader, more daring existence beyond the town’s expectations. Lora Mae Hollingsway grew up in modest circumstances and married a prosperous, older businessman, a union that has given her comfort but also the lingering sense that love might have been traded for security. Each woman carries a distinct past that informs the way she views loyalty, ambition, and the hidden currents beneath their seemingly settled lives.

The film swirls with a tone that is equal parts nostalgic and taut, the gentle glide of the river contrasting with the sharp anxiety sparked by Addie’s cryptic departure. As the three wives grapple with suspicion, jealousy, and the fear that their most trusted relationship may be unraveling, the story invites the audience to linger on the complexities of friendship and marriage. The looming question—whose husband has truly been taken—casts a lingering shadow over the evening’s celebrations, promising an intimate exploration of trust, identity, and the quiet strength required to face an unknown future.

Last Updated: December 05, 2025 at 09:47