BPM (Beats Per Minute)

In the early 1990s, a dedicated group of HIV/AIDS activists from the Paris chapter of ACT UP fervently fights to initiate real action against the AIDS epidemic that has ravaged lives. While the French government signals its support for those affected by HIV/AIDS, the activists feel compelled to confront their sluggish response, leading to bold public protests where they accuse the authorities of censorship and minimizing the urgency of the crisis.

Tensions escalate when the pharmaceutical company Melton Pharm announces its plan to unveil HIV trial results at a major conference the following year. In a daring move, ACT UP storms the company’s offices armed with fake blood, demanding immediate transparency regarding the trial outcomes. As ACT UP gains traction with their fervent demonstrations, deep rifts begin to emerge within the group. Members engage in fierce debates about their strategies, toggling between showmanship and the need for effective persuasion, navigating the conflicting aesthetics of positivity versus despair.

Amidst the whirlwind of activism, members express their desire to organize a more impactful Gay Pride parade, lamenting the overshadowing sense of loss and the “zombie” atmosphere the AIDS crisis has contributed to. There are broad discussions in large meetings, where radical voices call for more direct action, while others wish to retain channels of communication with scientists to hasten the delivery of crucial results. A deaf participant underscores the possibility of pursuing both direct action and organized meetings with research labs.

The narrative takes a darker turn when tensions within the group surface, leading to confrontations, such as when radicals clash with Hélène, the mother of a teenager who contracted HIV through a blood transfusion. Her advocacy for justice against the politicians responsible for the mishandling of blood screening is met with resistance, illustrating profound divisions within ACT UP about their mission and principles.

As the story unfolds, it steadily transitions from the larger political narrative to focus deeply on the personal lives of ACT UP members. In a poignant turn, Jérémie, a young man living with HIV, experiences a swift decline in health. In honor of his memory, the group marches through the streets following his death, memorializing him among the legion of AIDS victims. The newcomer Nathan, a gay man not living with HIV, finds himself drawn to the passionate, HIV-positive veteran Sean. Their relationship flourishes even as Sean’s health deteriorates.

Sean shares his painful history of acquiring HIV at the tender age of sixteen after a betrayal by his married math teacher. As his condition worsens with a plummeting T-cell count, Nathan steps in to support him. Their bond culminates tragically when Nathan euthanizes Sean following his discharge from the hospital for end-of-life care. In a poignant tribute, ACT UP holds a wake, reflecting on their shared grief. In accordance with Sean’s wishes, they stage a dramatic demonstration at a health insurance conference, scattering his ashes over the attendees, blending personal loss with defiant activism.

Last Updated: November 16, 2024 at 11:40