Year: 1971
Runtime: 117 mins
Language: Italian
Director: Enzo Barboni
Trinity returns to the saddle, still horsing around, when he and his brother Bambino are swapped by two federal agents. Using the confusion, they devise a daring plan to steal a vast treasure hidden in a remote monastery, guarded by a gang of ruthless outlaws. The comedy‑laden Western tracks their cunning maneuvers and quick‑draw antics as they outwit both lawmen and criminals.
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In the opening sequence, Bambino Bud Spencer trudges across a sunbaked desert, lugging his saddle and swiping beans and horses from four escaped convicts. The moment fades into the opening credits and the rousing title song, and soon we meet Trinity Terence Hill on his travois, who also runs into the same convicts. He outsmarts them with the same easygoing charm, setting the tone for the playful rivalry and camaraderie that threads the story.
Back at the family home, Trinity arrives to find Bambino in a bath, and a little mischief and plenty of humor follow as Trinity is told to bathe after his brother’s presciently pungent fragrance. The family’s morning rituals are gentle, affectionate, and comic, and when the four convicts return to try their luck again, the mother Jessica Dublin slips around from the back with a shotgun, sending the intruders packing after once more being relieved of their guns and money.
That night, the father Enzo Fiermonte stages a dramatic ruse, pretending to be dying to coerce Trinity and Bambino into a pact to work together. This fake soberness becomes the hinge on which their partnership swings: Bambino teaches Trinity the rough-and-tumble of being a successful horse thief, and together they spot a wagon with two tired mules. They decide to raid the passengers, only to discover a family in distress—a sick baby nicknamed Little Windy and a young girl who quickly falls for Trinity. The family is stuck by a broken wheel, so Bambino lifts the wagon and Trinity changes the wheel, sharing some of the loot with the grateful family. As the adventures unfold, the brothers repeatedly cross paths with this same clan, turning their misdeeds into comic, occasionally touching, exchanges that subtly soften their outlaw image.
When Trinity and Bambino roll into a town, they head straight for a local saloon and sit down to cards with Wild Card Hendricks, a sharp professional whose sleight of hand tests the brothers. The game becomes a showcase of Trinity’s blistering speed and calculated calm: he draws, holsters, and then delivers a quick, teasing slap to Hendricks’ face, all while the sharper struggles to react. Trinity’s deftness and cool under pressure fuel the legend of these two brothers, even as they bob and weave through a world that’s half-drenched in barroom bravado and half-light, slapstick mischief.
With their winnings in hand, the duo purchases new suits and returns to the family to maintain the ruse of federal agents working undercover as supposed outlaws. Bambino is dubbed “The Captain” and Trinity “The Lieutenant,” and their act brings a curious mix of respect and fear from those around them. A smart restaurant visit follows, where they indulge in colossal meals with a gleeful lack of table manners, savoring the moment as if their disguise has granted them access to a different, easier life. A local man, swayed by their bravado, hands them four thousand dollars to keep their eyes shut, cementing their impostor status and funding the next leg of their adventure.
From there, Trinity and Bambino travel to San José, where they spark a bar fight with familiar convicts and escort them to the sheriff for a bounty. The sheriff drops a troubling truth: the entire town works for the man who paid them, and the mission is a front for gun-running and stolen loot, with the loot stashed away by monks who hide in disguise. The brothers enlist the help of genuine monks to outwit the criminals, while devising their own plan to seize the loot for themselves. A long, rousing fight erupts, and just when the dust begins to settle, Rangers arrive to arrest the outlaws. One Ranger even thinks he recognizes Bambino as a wanted horse thief; to keep their cover intact, Trinity reiterates their status as federal agents and hands over the loot to him.
As the two ride away, bickering and bantering, they glimpse the pioneering family again, stranded while fording the river—a reminder of how their paths intersect with ordinary lives and how their impromptu justice can ripple outward. The film ends on a hopeful note as Trinity rides down to lend a hand, signaling that the brothers’ unorthodox partnership will endure, even as the landscape of their adventures continues to shift beneath them.
Throughout the tale, the bond between the brothers—characterized by quick wit, chess-like plotting, and a shared hunger for freedom—remains the throughline. Their antics are mischief-driven but never entirely heartless, and the moments with the family—especially Perla Yanti Somer—offer a softer pulse to the high-spirited bravado you expect from this duo. The world they inhabit is sunlit and raucous, filled with colorful characters like Clark Gérard Landry and a host of other colorful figures, all of whom contribute to a adventuresome tapestry where humor, danger, and loyalty collide in equal measure. The result is a vivid, generous, and enduring caper that invites the audience to revel in the chaos while rooting for the two brothers who always manage to land on their feet. The journey wraps with a shared, stubborn resolve to help those in need, and a promise that their particular brand of partnership will continue to redefine what it means to be an unlikely hero.
Last Updated: October 09, 2025 at 11:13
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