Year: 1975
Runtime: 92 mins
Language: Italian
Director: Gianfranco Parolini
Two wannabes rig a fight with a large prize fighter to buy a car.
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Read the complete plot breakdown of We Are No Angels (1975), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
In the United States during the Roaring Twenties, Raphael McDonald, Paul L. Smith, is a hard-edged boxer who fights in matches and also works as a mechanic in a small family workshop. After a bout with Black Bull, a dispute erupts when his brother Angel, Antonio Cantafora, keeps the money Raphael won, a decision that sparks a tense debate: Angel argues the winnings should be reinvested for bigger profits, while Raphael suspects the funds were squandered.
Across the nation, in the western town of Highfalls, a deeper clash unfolds between progressives and conservatives. This feud is framed by the shady figure of Mr. Shark, portrayed with quiet menace by John Ireland, who cloaks his personal interests beneath a veneer of tradition. To settle the quarrel, the town’s mayor announces a race between cars and carriages, a spectacle meant to symbolize the pivot from old to new.
On Angel’s plan, the brothers seek out Professor Arcangelo, Franco Pesce, and head for Highfalls. In the town square Raphael meets Willy, a lively boy who greets him with a playful thorn-punctured handshake, while Angel is drawn to Evelyn Sutton, Evelin Kaye, whose eyes seem to respond to his every move as they walk together. Angel’s shiny new car draws the unwelcome attention of Shark’s men, who smear the vehicle and provoke a brawl. Raphael intervenes, sending the aggressors to the back of a truck, and the two brothers, accompanied by Professor Arcangelo, Willy, Evelyn, Linda Sutton, and Polly, the family’s little girl, head to lunch at Linda’s home.
Linda Sutton, Fiona Florence, hosts their gathering, and the ongoing taunts from Shark’s men mix with the playful mischief of Willy and Polly, who keep Raphael on his toes and often spark bursts of anger in him. Amid the levity, the first sparks of romance flicker between Angel and Evelyn, even as Angel has to duck out to the restroom after another prank on Raphael. The town’s danger grows as Shark’s forces strike again, this time smashing a wagon belonging to Angel’s transport business. In a fierce response, Raphael is drawn into a confrontation that zigzags through golf- and baseball-themed skirmishes, highlighting the unconventional nature of their street-war violence.
Raphael longs to recover the money he believes Angel has hidden away, and his search leads him into a warehouse where he encounters Black Bull in a removing-tensions showdown. The two men clash, but a begrudging respect begins to form as Raphael refuses to allow Angel to dictate financial moves and instead considers returning to town with Black Bull, leaving Angel to confront the consequences. Polly and Willy’s cries reveal that Shark’s men have abducted their pet lamb, a cruel prank that escalates tensions and makes Raphael redouble his resolve to protect his family.
Taking advantage of Raphael’s distraction as he negotiates with several men, Angel seizes the moment to steal the money and uses it to buy land, feeding his growing ambition while the lamb’s distress underscores the damage of their fractured trust. Realizing his brother has slipped away with the fortune, Raphael turns his attention back to the perilous district and faces Black Bull once more in a high-stakes showdown.
The race itself becomes a turning point: with their usual car unable to start, Angel reveals a startling invention from Professor Arcangelo—a hang glider—that allows them to conquer the course in an audacious, almost cinematic ascent. They sail over the track, catching sight of Black Bull, who admires their daring and oddly chooses to divert, seemingly aiding their progress. Landing near a barn, they uncover another vehicle stashed nearby and, leveraging this surprise, they cross the finish line first.
In the aftermath, Angel and Raphael’s simmering feud erupts again as they argue over the newly acquired land and the consequences of their earlier schemes. The two end up beside a well on the purchased property, where their dispute spirals into a raw confrontation. In a final, almost fateful twist, Professor Arcangelo reveals an unexpected discovery of oil beneath the land, closing the chapter with a note of possibility and a hint of new conflicts to come.
Last Updated: October 05, 2025 at 12:06
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Mischievous siblings causing chaos and bonding through their antics.If you liked the bickering brotherly bond in We Are No Angels, you'll enjoy these comedies. This list features movies where mischievous siblings or best friends drive the plot with their chaotic pranks, schemes, and rivalry, all leading to a fun, feel-good conclusion.
The narrative typically follows a pair of charismatic but troublesome brothers or friends as they embark on a get-rich-quick scheme or a series of pranks. Their internal squabbles and rivalry create much of the conflict and humor, but their loyalty is ultimately proven through external challenges, leading to a triumphant and happy resolution.
Movies in this thread share a core focus on the dynamics of a brotherly duo, a LIGHT emotional weight, FAST pacing driven by their antics, and a playful, mischievous tone. The combination of sibling rivalry with a found-family bond creates a specific, upbeat comedic experience.
Quirky characters stir up trouble in a tight-knit community.Fans of the chaotic small-town antics in We Are No Angels will love these films. Discover comedies and adventures where quirky protagonists bring fast-paced mischief and progressive schemes to a traditional setting, leading to rowdy fun and community upheaval.
These narratives often begin with an outsider or a local troublemaker introducing a disruptive element—a scheme, a bet, or a new technology—into a sleepy town. This sparks a chain reaction of events, including pranks, chases, and comedic conflicts with authority figures, all moving at a brisk pace and resolving with the town often changed, but not broken, by the experience.
What unites these films is the specific setting of a small town as a character itself, combined with FAST pacing, a LIGHT tone, and a focus on external, physical comedy and conflict. The clash between old-fashioned values and modern, chaotic energy is a central source of humor and drive.
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Track the full timeline of We Are No Angels with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
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