Year: 1936
Runtime: 81 min
Language: English
Director: Richard Boleslawski
In the isolated town of New Jerusalem, four outlaws attempt to rob the local bank, leading to a chaotic confrontation. Following the robbery, three bandits escape, relentlessly pursued by a posse across the harsh desert. Their flight takes an unexpected turn when they discover a desperate mother and her newborn child stranded and struggling to survive. Abandoning their horses, the unlikely trio finds themselves responsible for protecting the infant and navigating the unforgiving landscape, forcing them to confront their own values and the true meaning of redemption.
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Explore the full timeline and setting of Three Godfathers (1936). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.
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Meet the key characters of Three Godfathers (1936), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.
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Explore the central themes of Three Godfathers (1936), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.
Last Updated: October 22, 2024 at 21:09
Don't stop at just watching — explore Three Godfathers in full detail. From the complete plot summary and scene-by-scene timeline to character breakdowns, thematic analysis, and a deep dive into the ending — every page helps you truly understand what Three Godfathers is all about. Plus, discover what's next after the movie.
Read a complete plot summary of Three Godfathers, including all key story points, character arcs, and turning points. This in-depth recap is ideal for understanding the narrative structure or reviewing what happened in the movie.
Track the full timeline of Three Godfathers with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
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