The Man from Earth: Holocene

For the first time in 14,000 years, John begins showing signs of aging. His regenerative abilities appear to be weakening, as evidenced by a hunting trip cut that doesn't heal as quickly. The film suggests this aging might be connected to the end of the Holocene epoch, which could mark a fundamental change in his immortal existence.

Earlier scenes show John noticing the cut on his hand during the hunting trip, which he observes with concern.

After John admits to having been Jesus Christ, Philip becomes radicalized. He renounces John as the "seven-headed beast" from Revelation and stabs him, viewing John's claim that all religious paths lead to salvation as heretical. This violent act climaxes the confrontation between Philip's rigid faith and John's more universal spiritual view.

Philip's faith is explicitly challenged earlier when he learns the book claims John was Jesus.

John admits to Philip that he was Jesus Christ, explaining he has avoided attention throughout history to prevent the distortion of his moral teachings. He has watched his original message become twisted by various religious institutions over millennia, which is why he chose to live anonymously.

The controversial book authored by Dr. Jenkins already contains this claim, which the students investigate throughout the film.

After confronting John about the book's veracity, he admits to being Oldman but claims the story was fabricated. When he threatens to leave before meeting Dr. Jenkins, the students tase him and restrain him in the basement to prevent his departure. They assign Philip to guard him while the others go to retrieve Jenkins, whose car has broken down.

Tara's earlier cryptic visit to John's office hints that the students are planning something drastic.

After stabbing John, both Philip and John disappear from the house. The film leaves Philip's fate ambiguous. Weeks later, an FBI agent reveals that John is a suspect in Philip's disappearance and other violent crimes, suggesting Philip may be dead or missing, though his exact fate remains unclear.

When Jenkins and the students arrive at the house, they find blood stains throughout but both John and Philip are missing.

The title refers to the geological epoch in which all of human civilization has occurred. John and Harry speculate that his aging might be connected to the Holocene ending and the dawn of the Anthropocene, suggesting his immortality may be tied to this geological timeframe.

John's aging begins as a new geological era approaches, making his mortality suddenly possible.

Tara visits John in his office and, tearfully, reveals she has always felt lonely, sensing his true identity as an immortal who has lived through centuries of isolation. Her advance appears to stem from a desire for genuine connection with someone she perceives as understanding her profound loneliness. John rejects her advance and asks her to leave.

This scene foreshadows the breakdown of trust between the students and John.

An FBI agent visits Jenkins and reveals John has many identities and is suspected in violent crimes, including Philip's disappearance. The agent suggests the possibility that an immortal could be a serial killer, asking Jenkins if he believes such a thing is possible. This dark twist frames John as potentially dangerous, contrasting with his previous peaceful existence.

The violent confrontation in the basement and Philip's disappearance provide the basis for this suspicion.

The students discover a painting in John's house believed to be by Vincent van Gogh. Isabel's cousin, an art major, examines it and considers it possibly authentic. This discovery supports the book's claim that John has known famous historical figures personally, adding credibility to his extraordinary age.

This is one of several clues the students find linking John to historical figures mentioned in the Jenkins book.

John decides to leave after the students confront him and discover his true identity. When his wife Carolyn asks for an explanation, he refuses to offer one, leading to an argument. John then begins preparing for departure, likely knowing his secret cannot be maintained after the confrontation.

His refusal to explain to Carolyn signals his intention to abandon this identity and start anew.

John admits to being Oldman but claims the controversial book was a fabrication, expressing regret that Jenkins damaged his own reputation by publishing it. John seems to prefer living quietly without the attention that comes from his true identity being revealed, preferring to move on without drawing further notice.

This regret reflects John's centuries-long strategy of avoiding attention to prevent his teachings from being distorted.

The students obtain a clear photo of John by entering his house at night and photographing him while he sleeps. This photo is sent to Dr. Jenkins, who agrees to meet them after they mention John Young's name. The photo serves as proof of John's claimed age, though Jenkins is initially hesitant about John's aged appearance.

Their earlier attempts to photograph John in class were unsuccessful, forcing them to trespass at night.