The Last Station

The year is 1910, marking the final phase of Leo Tolstoy's life. His health is declining, and the tension surrounding his literary legacy begins to escalate between his supporters and his wife.

Tolstoy's loyal disciples, led by Vladimir Chertkov, engage in a strategic battle against his wife, Sofya. This conflict centers around the control of Tolstoy's literary works as they negotiate what will happen after his passing.

A crucial element of the struggle revolves around a proposed will that Tolstoy is asked to sign. This document would relinquish all his copyrights to the public domain, threatening the financial security of his family.

Valentin Bulgakov, Tolstoy's new secretary, becomes a central character in the unfolding conflict. He is positioned as a mediator between the opposing factions, trying to balance the demands of both Tolstoy's followers and his wife.

Amidst the strife, Bulgakov develops a romantic relationship with Masha, one of the Tolstoyans. This relationship adds a personal layer to the already complex dynamics at play.

Ultimately, Tolstoy agrees to sign the contentious will, a decision that sends shockwaves through his family and supporters. This act highlights his commitment to his spiritual philosophies and the impact of his choices on his loved ones.

After signing the will, Tolstoy embarks on a journey to a secretive location, seeking solitude for his writing. This trip indicates his desire to escape the pressures of his domestic life and focus on his work.

In the aftermath of Tolstoy's departure, Sofya falls into a deep state of despair. Overwhelmed with grief and frustration, she contemplates a desperate act of suicide, illustrating her emotional turmoil.

While on the road to his secluded destination, Tolstoy's health continues to decline steadily. This deterioration raises concerns for both his disciples and his family about his well-being and potential mortality.

The film reaches a climax at the Astapovo railway station, where Sofya gets a fleeting chance to see Tolstoy in his final moments. This poignant reunion encapsulates the tension and love that permeated their relationship.

By 1914, the Russian Senate restores the copyrights of Tolstoy's works to Sofya. This decision cements her role as the protector of his literary legacy, contrary to the intentions of his disciples.

Tolstoy's recognition of his imminent death is captured with the haunting line, 'I know that I'm going to die.' This acknowledgment signifies the end of an era and the culmination of his life's work.

The outcome of the battle over Tolstoy’s legacy profoundly impacts both his disciples and family. The emotional repercussions of his decisions and the public domain status of his works linger long after his passing.

The intricate power dynamics and personal relationships explored during this time highlight the intersection of art, legacy, and personal conflicts. Tolstoy’s relationships ultimately shape the narrative of his life and works.