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The Best of Everything (1959) movie poster

Characters & Themes

The Best of Everything (1959) Characters, Setting & Themes Explained

Release, runtime and language
1959 · 121 mins · English
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Directed by
Jean Negulesco
Starring
Diane Baker, Wally Brown, Joan Crawford, Robert Evans, Donald Harron, James Stone

The Female Jungle EXPOSED! An exposé of the lives and loves of Madison Avenue working girls and their higher-ups.

On this page (9)
  1. 1 Where to watch
  2. 2 Characters explained (10)
  3. 3 Where & when it takes place
  4. 4 Themes & meaning (3)
  5. 5 Character & meaning questions
  6. 6 Movie threads
  7. 7 Movies like The Best of Everything
  8. 8 Categories
  9. 9 Every angle
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10 main characters · contains spoilers

The Best of Everything Characters Explained: Who Is Who

The main characters of The Best of Everything (1959), heroes and villains: what drives them, how they change over the course of the story and what each of them reveals about the film's bigger ideas.

  • Caroline Bender (Hope Lange)

    A recent Radcliffe College graduate who rises from secretary to manuscript reader at Fabian Publishing. Intelligent and ambitious, she skillfully inserts editorial insight but frequently must navigate a male-dominated office culture. Her evolving career and romantic entanglements reveal both her resolve and vulnerability.

    • 💼 Career-focused
    • 🎯 Ambition
    • 💬 Office politics
  • April Morrison (Diane Baker)

    An enthusiastic, naive young woman from Colorado who moves into a tiny apartment with Caroline and Gregg. Her courtship with Paul Landers and later complications with Dexter Key place her at the center of romantic and ethical dilemmas. Her arc tracks the tension between optimism and the harsh realities of adult life.

    • 💃 Acting dreams
    • 🌅 New beginnings
    • 💬 Relationships
  • Gregg Adams (Suzy Parker)

    A glamorous aspiring actress who enters a relationship with David Savage and struggles with professional setbacks in a production. Her obsession with the director escalates into instability, culminating in a fatal fall during a chase that underscores the dangers of unchecked fixation and fame-seeking.

    • 🎭 Acting
    • 💔 Obsession
    • 🕯️ Tragedy
  • Barbara Lamont (Martha Hyer)

    A married woman who becomes the target of Mr. Shalimar’s advances, highlighting the precarious boundaries of workplace flirtations and the consequences of power imbalances. Her experience illustrates the vulnerability of women navigating romance and professional environments.

    • 💍 Marriage
    • 🔒 Boundaries
    • 🗺️ Navigating expectations
  • David Savage (Louis Jourdan)

    A director whose affair with Gregg marks the intersection of art, ambition, and temptation. His professional charisma is shadowed by romantic entanglements, illustrating how personal desire can influence creative decisions and workplace dynamics.

    • 🎬 Director
    • ❤️‍🔥 Affair
    • 🏛️ Ambition
  • Mike Rice (Stephen Boyd)

    A boisterous co-worker who flirts with Caroline and challenges her career ambitions. His behavior embodies the complexity of office romance, sometimes supportive, sometimes undermining, reflecting the broader tension between personal desires and professional goals.

    • 💬 Office romance
    • 🚦 Temptation
    • 🧩 Rival
  • Dexter Key (Robert Evans)

    A spoiled playboy who pursues April and later tries to manipulate her fate through a coercive marriage proposal. His wealth and arrogance highlight the vulnerability of women caught between desire, autonomy, and exploitation.

    • 💸 Wealth
    • 🏦 Privilege
    • 💔 Heartbreak
  • Paul Landers (Lionel Kane)

    A man arranged for Caroline on a blind date by their mothers; his presence and eventual departure reflect the era’s matchmaking norms and the imperfect navigation of romance in a professional setting.

    • 💌 Blind date
    • 📜 Etiquette
    • 🕊️ Romance
  • Amanda Farrow (Joan Crawford)

    The bitter, demanding editor-in-chief who resents Caroline and engages in a controversial affair with a married man. Her departure from Fabian marks a shift in the office hierarchy and underscores the precarious balance of power among women in the industry.

    • 💼 Editor-in-chief
    • 💢 Jealousy
    • ⚡ Power dynamics
  • Fred Shalimar (Brian Aherne)

    The lecherous editor-in-chief whose advances to April and disregard for consequences reveal a corrosive abuse of power in the newsroom. His character embodies the moral compromises and dangers of unchecked authority.

    • 🔥 Lecherous authority
    • ⚖️ Power abuse
    • 👁️ Observation

Last updated: October 04, 2025 at 16:32

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Setting

Where and When Does The Best of Everything Take Place?

The setting of The Best of Everything (1959): the year and time period, the places and locations, and how they shape the characters, the mood and the tension of the story.

Time period

Late 1950s (circa 1959)

The film unfolds in a period when traditional gender roles were being challenged yet still deeply ingrained. Secretaries and junior editors navigate workplace hierarchies, casual harassment, and the pressure to trade career for marriage. Social norms emphasize propriety and appearances, even as a new generation of women begins to push for professional advancement. The setting underscores the tension between ambition, romance, and personal autonomy.

Location

New York City, Connecticut, St. Louis

The Fischer Publishing Company operates in New York City, forming the corporate heart of the story. Caroline commutes from her family home in Connecticut, highlighting the era’s growing but still evolving opportunities for educated young women. The plot also travels to St. Louis, where Amanda Farrow’s failed marriage prompts a relocation, illustrating the geographic mobility that some women pursued in search of independence.

  • 🗽 Urban setting
  • 🕰️ Postwar America
  • 🏛️ Publishing world

Last updated: October 04, 2025 at 16:32

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3 major themes

The Best of Everything Meaning: Themes & Message Explained

What is The Best of Everything (1959) really about? The emotional, social and philosophical themes the film keeps returning to, its symbolism and the message beneath the surface.

  • Career vs Romance

    Caroline’s sharp editorial instincts push her toward advancement at Fabian Publishing, but romance and personal life continually pull at her. The story juxtaposes professional ambition with the pull of relationships, illustrating how women negotiate power, payback, and progress in a male-dominated workplace. It foregrounds the costs and rewards of choosing career ambition in a social climate that still prizes marriage. The tension remains a central driver of character decisions and plot outcomes.

  • Women’s Solidarity

    Caroline, April, and Gregg form a bond as they navigate an environment that tests their resilience. The trio supports one another through advances, heartbreak, and career setbacks, symbolizing a collective push for independence. Their camaraderie provides emotional shelter amid office politics, societal expectations, and personal ambitions. The film emphasizes shared experience as a source of strength for women facing a patriarchal system.

  • Power & Harassment

    The narrative exposes the inequities of authority in the workplace, with senior editors pursuing sexual advances and leveraging their position. Characters confront moral choices, consequences, and the ethics of power dynamics. The story scrutinizes how harassment shapes careers, reputations, and personal agency. It ultimately questions whether power can be tempered by accountability and respect.

Last updated: October 04, 2025 at 16:32

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Character & theme questions

The Best of Everything Characters & Meaning: Your Questions Answered

The questions people ask about The Best of Everything (1959): who the characters really are, their relationships, what the symbols mean, where it takes place and what the movie is really about. Each answer contains spoilers.

Q1

Where does The Best of Everything take place?

The film is primarily set in New York City at the Fischer Publishing Company, which serves as the corporate heart of the story. Caroline also commutes from her family home in Connecticut, and the plot includes a brief relocation to St. Louis when Amanda Farrow's marriage fails.

  • new york city
  • publishing
  • setting
  • office
Q2

When is the movie set?

The film is set in the late 1950s (circa 1959), depicting postwar America during a period when traditional gender roles were being challenged yet still deeply ingrained in society.

  • 1950s
  • era
  • time period
  • postwar
Q3

What is the main theme of The Best of Everything?

The central theme explores the tension between career ambition and romantic relationships for women. Caroline's professional drive at Fabian Publishing constantly collides with her personal life, illustrating how women in the late 1950s navigated power dynamics, career advancement, and personal fulfillment in a male-dominated workplace.

  • career
  • romance
  • ambition
  • workplace
  • women
Q4

How do the female characters support each other?

Caroline, April, and Gregg form a strong bond as they navigate the challenges of working in a patriarchal environment. Their friendship provides emotional support through workplace advances, heartbreak, and career setbacks, symbolizing the collective push for independence among women in the 1950s.

  • women
  • friendship
  • solidarity
  • support
Q5

Does the movie address workplace harassment?

Yes, The Best of Everything directly confronts workplace sexual harassment and power imbalances. Senior editors pursue inappropriate advances, and characters must navigate the ethical compromises and career consequences that come with such behavior. The film questions whether accountability and respect can temper abuse of authority.

  • harassment
  • power
  • workplace
  • abuse
  • ethics
Q6

Who is Caroline Bender?

Caroline Bender is a recent Radcliffe College graduate who rises from secretary to manuscript reader at Fabian Publishing. She is intelligent and ambitious, using her sharp editorial instincts to advance her career while navigating the male-dominated office culture. Her journey reveals both her professional resolve and personal vulnerability.

  • caroline bender
  • protagonist
  • career
  • ambition
Q7

Who is April Morrison?

April Morrison is an enthusiastic but naive young woman from Colorado who moves into a small apartment with Caroline and Gregg. Her courtship with Paul Landers and later complications with Dexter Key place her at the center of romantic and ethical dilemmas, tracking her journey from optimism to harsh reality.

  • april morrison
  • naive
  • romance
  • colorado
Q8

Who is Amanda Farrow?

Amanda Farrow, played by Joan Crawford, is the bitter and demanding editor-in-chief at Fabian Publishing. She resents Caroline's rising success and engages in a controversial affair with a married man. Her departure from the company marks a significant shift in the office hierarchy.

  • amanda farrow
  • editor
  • joan crawford
  • power
Q9

Who is Fred Shalimar?

Fred Shalimar is the lecherous editor-in-chief whose inappropriate advances toward female employees reveal the corrosive abuse of power in the workplace. His character embodies the moral compromises and dangers of unchecked authority in the 1950s publishing world.

  • fred shalimar
  • harassment
  • editor
  • abuse of power
Q10

What is the tone of the movie?

The film has a consistently bittersweet tone, balancing professional triumphs against personal losses and compromises. It carries a nostalgic view of its era while addressing serious themes like workplace harassment, coercion, and obsession, creating a tense and at times oppressive atmosphere.

  • tone
  • mood
  • bittersweet
  • atmosphere
  • nostalgic
Q11

What does the movie say about women working in the 1950s?

The film portrays the evolving but limited opportunities for educated young women in the late 1950s. Secretaries and junior editors navigate workplace hierarchies, casual harassment, and pressure to trade careers for marriage, highlighting the tension between ambition, romance, and personal autonomy during this era.

  • women
  • 1950s
  • work
  • career
  • opportunity
  • marriage

Movie threads

More Movies Like The Best of Everything, by Mood & Story

Curated lists built around what makes The Best of Everything tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Movies about ambitious women like in The Best of Everything

Stories of professional ambition tested by the harsh realities of the workplace. If you liked The Best of Everything, explore more movies and TV shows featuring women navigating demanding careers. These similar stories capture the bittersweet reality of ambition, workplace politics, and the personal cost of professional success in a compelling and dramatic way.

  • dramatic
  • realistic
  • melancholic
  • tense
  • hopeful
  • nostalgic
  • Tone: bittersweet, realistic, dramatic
  • Pacing: steady, character-driven
Why these movies?

The story pattern: The narrative follows one or more female protagonists as they pursue their career goals, often facing systemic obstacles like sexism, exploitation, and difficult choices between love and ambition. The journey is rarely a straightforward victory, instead focusing on the nuanced compromises and hard-won successes that define a professional life.

Why they belong together: These movies are grouped together for their shared focus on female ambition, the complex dynamics of the workplace, and a realistic, often bittersweet tone that acknowledges the costs of success. They resonate with viewers seeking character-driven dramas about professional struggles.

Bittersweet office romance movies like The Best of Everything

Where workplace romance is intertwined with professional ambition and painful trade-offs. Find movies similar to The Best of Everything that explore the complex intersection of love and work. These films feature charming chemistry and dramatic tension set in professional environments, delivering stories where romance and career ambitions collide with bittersweet consequences.

  • bittersweet
  • dramatic
  • romantic
  • tense
  • nostalgic
  • melancholic
  • Tone: bittersweet, dramatic, nostalgic
  • Pacing: steady, deliberate
Why these movies?

The story pattern: The plot typically revolves around characters whose professional lives are deeply entangled with their romantic ones. Relationships are formed and tested within the confines of the workplace, leading to conflicts of interest, ethical dilemmas, and endings that reflect the difficult choices made, balancing personal happiness against professional achievement.

Why they belong together: These films share a specific mood: a steady-paced, realistic portrayal of office life where romance is not a simple escape but a complicating factor. The bittersweet tone and moderate emotional weight create a coherent viewing experience for those interested in nuanced, adult relationship dramas.

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Movies Like The Best of Everything

Similar movies to The Best of Everything: the same genre, themes or kind of story. Each one comes with its own plot summary, timeline and ending explained.

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Categories

Movie Lists Featuring The Best of Everything

The Best of Everything appears in these hand-built movie categories. Each one groups movies by a specific mood, theme or story type, with their plot summaries and endings explained.

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Every angle

The Best of Everything (1959) Explained: Plot, Timeline & Characters

Everything about The Best of Everything in one place: what happens in the plot summary, the timeline in chronological order, the characters and meaning and a spoiler-free summary. What's After the Movie adds the cast, box office and post-credit scenes.

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