The Beautician and the Beast

In a story that opens with a whimsical animated fairy‑tale, a New York City beauty‑school instructor suddenly finds herself hailed as a heroine after a classroom fire is averted. The bustling streets of Manhattan and the bright‑talking world of hair‑care set a lively, comedic tone, inviting the audience to meet a character whose quick wit and unapologetic confidence light up every scene.

When a diplomatic mix‑up lands her a job far from the city she knows, Ira Grushinsky—a suave envoy from the fictional Eastern European nation of Slovetzia—mistakenly believes she is a science teacher and hires her to look after the children of the country’s formidable ruler. The ruler, Boris Pochenko, looms large in the public imagination as a stern, almost mythical figure, yet his household hides a quartet of spirited youngsters: Katrina Pochenko, the bold eldest daughter; Karl Pochenko, a sensitive boy with artistic dreams; Masha Pochenko, the mischievous middle child; and the quiet youngest, Yuri.

The film thrives on the clash between Joy’s free‑spirited, New York sensibility and the rigid, ceremonial world of Slovetzia’s palace. Her fresh perspective begins to ripple through the family, encouraging the children to explore identities beyond the expectations of their father’s regime. Amidst this cultural collision, hints of a budding romance and a whisper of underground currents add layers of intrigue without spelling out any specific schemes or betrayals.

Bathed in bright colors and a playful score, the movie balances comedy, romance, and a subtle political backdrop, leaving the audience eager to see whether Joy’s unconventional methods can soften a hardened heart and whether the seemingly immutable structures of power might just be nudged toward a lighter, more hopeful direction.

Last Updated: October 27, 2025 at 16:37