Szamanka

In contemporary Warsaw, the rhythm of university corridors and the muted hum of the city create a backdrop where intellect and instinct constantly collide. Michał, an anthropology professor whose life is built on routine research and lectures, finds his scholarly world suddenly intersecting with the raw mystery of humanity’s distant past. The city’s blend of modernity and lingering history mirrors his own steady existence, setting a tone that is both cerebral and unsettling.

When a team of archaeologists uncovers a remarkably preserved shaman mummy from a swamp—its ancient tattoos and ritual paraphernalia hinting at forgotten rites—the discovery reverberates through Michał’s academic circle. The artifact’s enigmatic presence invites questions about the boundaries between life and death, science and myth, pulling the professor into a contemplation that feels as much personal as it is professional. The laboratory becomes a hushed arena where curiosity is tinged with an almost reverent dread, suggesting that some knowledge may be as intoxicating as it is dangerous.

Amid this scholarly intrigue, a chance encounter at a railway station introduces the Italian, a free‑spirited young woman whose magnetic, almost mechanical confidence unsettles Michał. Their meeting ignites a subtle yet compelling tension, offering a stark contrast to his steady engagement with academia and his relationship with his fiancée, Anna. The atmosphere of the film swirls with a quiet, almost primal energy, as the professor’s fascination with the ancient shaman and his growing fixation on the enigmatic woman weave together, promising a journey where desire, obsession, and the unseen forces of the past begin to blur.

Last Updated: October 27, 2025 at 16:40