Seven Hours of Troubles

Advocate Espinaci warns Toto that his property could be seized due to a long overdue debt. The lawyer uses the fact that Toto's wife is an old friend to postpone the action for the moment. To improve his standing around the baptism, Toto agrees to be the godfather of his son's ceremony.

In an attempt to ingratiate himself, Toto accepts the role of godfather for the baby. He forgets that he had already entrusted the task to his brother Matthew, a cruel bully. The misalignment sets up complications for the family later.

A few minutes later, Toto, the lawyer, and Matthew learn that the nurse has lost the baby after a street fight with her husband. Panic spreads as they try to determine what happened and who is responsible. The incident threatens to derail the baptism plans entirely.

To avoid alarming the new mother, the Romolini family—a group of distracted students living nearby—brings the infant to Toto's home. Toto goes to retrieve the child, hoping to keep the situation under control. The scene marks a turning point as the baby is now physically present in Toto's circle.

Unbeknownst to them, their search leads them to the home of a prostitute and her unstable protector. The surprising setting heightens the tension and absurdity of their predicament. They must improvise to avoid drawing attention to the missing child.

They are led to believe the child has been brought to the Romolini country estate by mistake. This misdirection deepens the confusion and fuels fear that the infant may be far from home. The group weighs risky decisions to uncover the truth.

On the estate, the trio splits up; Toto presents the infant he believes is his to Arturo, the grandfather. Arturo immediately calls for help and denounces the kidnapping, escalating the crisis and triggering a broader manhunt. The act crystallizes the tension between truth and appearances.

Moments later, the town erupts into a pursuit, with Toto being chased as if he were a kidnapper. He nearly faces lynching and even falls from a rooftop, illustrating the mob mentality and the peril Toto faces. The chaos underscores how quickly events spiraled out of control.

After many vicissitudes, Toto, the lawyer, and Matthew reunite with the baby, but at the church where the baptism was to occur they discover the baby has already been baptized. The realization undermines Toto's hopes and intensifies his humiliation. The moment marks a turning point in the tragedy.

The revelation triggers insults from the lawyer and a lack of financial support from the mother-in-law, while Romolini adds to the pressure. The lawyer threatens to seize Toto's workshop on behalf of his customers, sealing Toto's precarious position. The social and economic consequences become a central burden.

In the closing moments, Toto sits on the steps of the church as the crowd rushes past. A tow truck carrying his son and the Romolini child drives away, leaving Toto to confront the consequences of the day. The scene crystallizes the film's themes of misfortune, pride, and communal judgment.