River of Fundament

In an ambitious blend of documentary footage, live performance, and experimental cinema, the film opens on the cracked streets of a decaying American city, where the hum of traffic and the echo of forgotten music form a restless backdrop. At its center is Norman I, a figure who channels the spirit of a legendary writer, and a mysterious automobile—an aging 1967 Chrysler Imperial that seems to carry its own consciousness. Together they set out on a surreal pilgrimage that drifts from the industrial rust of the Midwest to the glittering decay of coastal metropolises, inviting the audience to watch a landscape in constant flux.

The journey is guided by a cast of mythic and contemporary presences. Ptah‑Nem‑Hotep, an enigmatic figure drawn from ancient lore, appears as a philosophical companion, while Hathfertiti, a charismatic presence, offers a bridge between the earthly and the mystical. Their interactions are less about linear storytelling and more about a poetic dialogue that weaves Egyptian symbolism with modern American myth, suggesting cycles of rebirth and the continual reshaping of cultural identity. The tone oscillates between reverent reverie and gritty realism, creating a dream‑like atmosphere where the ordinary and the uncanny co‑exist.

Visually, the film moves like a shifting montage—gritty street‑level shots juxtaposed with stylized performance pieces, all underscored by an ever‑present river of symbolic feces that represents both waste and fertile ground for new ideas. The two protagonists, Norman I and the sentient car, become vessels for exploring questions of legacy, transformation, and the ways in which personal myth intertwines with the broader American narrative. Their evolving relationship hints at a larger, circular story about lineage and identity, leaving the viewer poised on the edge of an enigmatic odyssey that promises further revelations beyond the horizon.

Last Updated: August 10, 2025 at 05:49