Year: 1980
Runtime: 104 mins
Language: English
Ten years after a youthful arrest at a Washington, D.C. protest, seven former college friends—joined by a few newer companions—gather for a weekend at a summer house in New Hampshire. Over drinks and nostalgic conversation, they confront how their lives have diverged, reflecting on old ideals, lingering regrets, and the inevitable changes that time brings.
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On a quiet, rural New Hampshire property, Mike Donnelly Bruce MacDonald and Katie Sipriano Maggie Renzi prepare to host a weekend gathering for their old college activist circle. The welcome feels warm at first, and the group settles into the familiar rhythms of their long-standing friendship, a blend of nostalgia and shifting loyalties. The atmosphere is gently carefree, but beneath the surface, old tensions begin to surface as everyone revisits the years that bonded them—and the paths they’ve taken since.
Frances Maggie Cousineau, now in medical school, arrives with her old boyfriend, J.T. Adam LeFevre, hitchhiking his way to the reunion. The pair brings a sense of youthful optimism tempered by unspoken uncertainties, while Irene Rosenblue Jean Passanante, a speechwriter for a Democratic senator, enters with her conservative boyfriend, Chip Hollister Gordon Clapp. The contrasts among Irene’s polished pragmatism, Chip’s cautious stance, and the others’ past fervor create a charged undertone that threads through the evening’s conversations. Maura Tolliver Karen Trott reveals that she and Jeff, long-time friends, are no longer a couple, a shock that ripples through the room and unsettles the group’s sense of unity. Jeff Mark Arnott, seemingly unaware of Maura’s announcement, adds another layer of complexity as old friendships grapple with new realities.
As night deepens, Maura and J.T. share a developing mutual attraction, while Frances, drawn to J.T., navigates a quiet discomfort. The tensions simmer further when Jeff learns of the past entanglements, and a heated exchange erupts between Jeff and J.T.—each man wrestling with pride, loyalty, and the fear of losing a friend to the tides of change. The group’s mood shifts from easy camaraderie to a fragile equilibrium, and soon they drift toward a night that tests their bonds.
The next day brings a reprieve through ordinary, small pleasures: a basketball game and later a skinny-dipping session with Mike’s high school friends, alongside Ron and Howie, two old friends who reconnect with the group. Ron David Strathairn makes a pass at Frances, a moment that stirs upset in the wake of the intimate news between J.T. and Maura. Frances’s reaction underscores a lingering ache between desire, friendship, and the weight of past choices. The evening carries the inevitability of endings as the group heads to a local bar, where conversations circle back to the fragility of long-standing connections.
On the road after the bar, the group encounters a deer carcass, and a concealed truth emerges: an undercover cop arrests them on suspicion of illegal game hunting. The tense hours in lock-up force the friends to confront their shared history and the events that shaped their nickname, the “Secaucus 7.” While they recount old arrests and the origins of their bond, a local drunk’s confession that he hit the deer shifts the mood toward a sense of vindication, and they are released with a sense of fragile relief.
The following day, the dynamics shift again as everyone leaves one by one. J.T. insists on hitchhiking to Boston, stubbornly refusing money from Maura for a bus ticket, choosing distance over dependence. Jeff remains on Mike’s property, alone with his thoughts, an act of quiet rebellion that mirrors the broader tremor running through the group. The film closes with a simple, poignant note left by Jeff: “I’m sorry.” Jeffrey Nelson The final image lingers on the emptiness of the house and the unresolved ache of friendship, emphasizing how time and experience reshape even the closest relationships.
This story unfolds with a warm, observational tone that favors the seen over the loud, allowing each character to reflect their own hopes, regrets, and memories against a backdrop of rural horizons. The ensemble’s interplay—strength, humor, conflict, and reconciliation—paints a nuanced portrait of a generation that once defined itself by shared ideals and now negotiates what remains when those ideals meet adulthood. The film invites viewers to consider how friendship endures, mutates, or dissolves when faced with changing lives, ambitions, and the simple, stubborn reality of growing up. The farewell notes and quiet decisions echo a universal truth about connection: even when paths diverge, the imprint of what was, and what could have been, lingers in the heart. The legacy of these friends—tight-knit, imperfect, and enduring—lives on in the memory of a weekend that tested their unity and left an indelible mark on each of them.
Last Updated: October 09, 2025 at 14:43
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