Year: 1956
Runtime: 76 mins
Language: English
Director: John Sherwood
A savage land beyond the law! A Texan arrives in Oregon and seeks justice for his innocently-hanged brother
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In 1842, a wealthy Oregon man named Montgomery, Herbert Rudley, rules with an iron hand, enforcing a stark law: any unmarried woman must go with the man who lays claim to her. After his wife Hannah Montgomery, Yvonne De Carlo, is attacked by an unseen assailant, Montgomery points the finger at his rival, Dan Kirby John Gavin.
Dan Kirby’s Indian wife, Paca, Mara Corday, pleads with Hannah to save her husband, but they are too late. Paca makes a break with Hannah to return to her people but is pursued; an Indian named Five Crows attempts to help but is murdered. Paca is captured by a white man, Sile Doty, Robert J. Wilke, who makes her his property and returns her to his house.
A stranger, Tex Kirby, Rory Calhoun, rides up to the Montgomery ranch, asking for directions to Dan Kirby’s ranch. Hannah tells him, but Tex finds Kirby dead. He heads into town and asks for work at the saloon. He’s directed to Sile Doty’s ranch, where he meets his former sister-in-law Paca and reveals he is Kirby’s brother, a former Texas Ranger. She explains that she is now the property of Doty and how Kirby was killed. Tex vows revenge and waits for Montgomery to return. Tarp Penny, Neville Brand, his father Pop Penny, Emile Meyer, and the town gambler are supposed to warn Montgomery that Tex is coming for him. Indians are massing to avenge Five Crows’ death, and Montgomery may be killed by them, so they head to his ranch to claim Hannah. Both argue over her, and Tex watches the scene unfold, ultimately taking Hannah away.
Doty arrives with Paca at the survey site, warning Montgomery that Tex is waiting for him. Montgomery tells Paca to talk to the chief and guarantee his freedom to return to his ranch where he will give them the man who murdered Five Crows; if she won’t help, he’ll have her killed. He plans to frame Tex instead. Paca returns to talk to the chief.
Tarp chases Hannah and wounds her, then kills the gambler and his father. Tarp ends up in a shootout with Tex that turns into a violent fistfight after both run out of ammunition. Tex prevails when Tarp is accidentally impaled on a bison head’s horns knocked off the wall.
Montgomery is intercepted by an Indian party and taken to the chief. The chief promises to allow him to return to his ranch “after the ceremony.” His body is dragged back to his ranch, and Paca—now wearing Indian garb—rides off with the tribe, having avenged her husband’s death. Tex offers Hannah a chance to join him, and she accepts, stepping toward a new path alongside Tex.
Last Updated: October 09, 2025 at 11:06
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Revenge stories set in harsh, lawless territories where justice is personal.If you liked the personal quest for revenge in the lawless territory of Raw Edge, you'll find similar movies here. These Westerns and frontier dramas feature morally complex characters fighting for their own brand of justice in unforgiving landscapes.
The narrative typically follows a lone protagonist—often an outsider—entering a volatile community to right a wrong. The journey is linear and driven by confrontation, uncovering deeper societal corruption or personal betrayals along the way. Justice is achieved at a cost, often leaving a trail of destruction.
These movies are grouped by their shared focus on personal justice within a lawless setting, a steady pace of consequential events, and a consistently dark, tense tone. They explore the bleak reality of frontier life where the line between right and wrong is blurred.
Stories where achieving revenge comes with a profound personal cost.Fans of Raw Edge's somber resolution will appreciate these films. They explore the emotional cost of revenge, where achieving justice is a Pyrrhic victory marked by personal loss and a bittersweet ending.
The plot revolves around a central act of revenge, but the emotional journey reveals the toll of that pursuit. The climax may involve the defeat of an antagonist, but it is framed by the loss of allies, ideals, or a part of the protagonist's own humanity, resulting in an ending that is more contemplative than celebratory.
These films share a specific emotional arc: the pursuit and achievement of vengeance followed by a somber reckoning. They balance a dark tone with a medium emotional weight, leading to a bittersweet or melancholic conclusion that focuses on the price paid for justice.
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