One Sings, the Other Doesn’t

The film begins in 1962 Paris, capturing a period of cultural renewal and the quiet onset of a feminist awakening. It follows Pauline and Suzanne through early adulthood, workplaces, and family life, exposing the social pressures surrounding motherhood and autonomy. In the 1970s, the plot foregrounds abortion rights activism, notably the Bobigny demonstration, and tracks the women's evolving roles across Europe and beyond.

Paris is the film's starting point, a modern metropolis where a chance gallery encounter triggers a life‑changing friendship. The city embodies the 1960s' artistic ferment and hints at the emerging feminist movement. The story then travels to Hyères, Bobigny, Amsterdam and Iran, showing how different places shape motherhood, activism, and personal freedom.

♀️ Feminism

A core thread follows how Pauline and Suzanne challenge traditional limits on women’s bodies and choices. The film ties intimate decisions to public action, culminating in the 1972 Bobigny demonstration that marks a turning point for reproductive rights. Through personal stories, it maps the growth of a broader feminist consciousness across decades.

🤝 Friendship

The enduring bond between Pauline and Suzanne anchors the film, surviving distance, misfortune, and ideological shifts. Their support for each other enables risky choices and personal reinventions, from illegal abortion to clinic leadership. The friendship functions as a quiet engine for social change as they navigate love, motherhood, and work.

🎤 Art & Voice

Pauline’s evolution into a singer and member of a feminist folk group shows how art becomes political expression. Music carries the story between personal triumphs and collective action, giving voice to women’s experiences. The performances and public appearances link intimate life with public visibility, turning music into activism.