Year: 1993
Runtime: 114 min
Language: English
Director: Mike Figgis
Amidst personal struggles, a man grappling with bipolar disorder seeks help from a psychiatrist. As their relationship develops, a profound connection forms, challenging the traditional roles of healer and patient. The evolving dynamic explores themes of love, vulnerability, and the complexities of the human condition, raising questions about the nature of care and connection.
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Mr. Jones, Richard Gere, is a charismatic and dynamic man who talks his way into a construction-site job, only to spiral into a manic episode and nearly leap from a building, claiming he can fly. He is saved from jumping by fellow construction worker Howard, Peter Jurasik, and taken to a psychiatric hospital.
At the hospital, he is misdiagnosed with schizophrenia, medicated, and released because of space and budget cuts in the hospital run by Dr. Catherine Holland Anne Bancroft. Dr. Elizabeth “Libbie” Bowen [Lena Olin] becomes interested in his case as she struggles with her divorce and other patients.
In the midst of another manic episode, Jones impulsively spends large amounts of money on a date and jumps up onto the stage during a concert performance of Beethoven’s Ninth Symphony and starts conducting. Arrested, he is sent back to the hospital and correctly diagnosed by Dr. Bowen as having bipolar disorder, revealing to Bowen and her colleague Dr. Patrick Shaye that he has been in and out of hospitals for twenty years but always refuses treatment for his condition.
Bowen tries to have Jones involuntarily committed for treatment, but benefiting from manic energy Jones is charming and rational during a competency hearing. He apologizes for the incidents at the concert and construction site and challenges Bowen’s diagnosis because she has never seen him in a depressive cycle. He is released.
Bowen gives Jones a ride home from the hearing and he flirts with her while she tries to get more info from him about his illness. Jones reveals he resists treatment because he enjoys the benefits of his mania and despite Bowen’s efforts to convince him, he stops taking his prescribed lithium.
Howard, [Peter Jurasik], who meets Jones again and is worried about him, contacts Bowen, who discovers Jones severely depressed at his apartment. She helps him check into her hospital.
Bowen begins helping Jones with psychotherapy and he starts to open up. Howard visits Jones and they become friends. Jones rescues Bowen during a violent attack by a patient and they strengthen their bond as she comforts him while he struggles with missing the mania while on medication and life at the hospital.
As romantic attraction between Jones and Bowen grows, she contacts his ex-girlfriend to learn more about his past. Furious at the invasion of his privacy, Jones tries to leave the hospital but Bowen follows him, confesses her feelings for him and they sleep together.
Feeling guilty about the inappropriate relationship, Bowen confesses to Shaye and he insists she stop treating Jones and seeing him at all. Jones is transferred to another hospital but soon checks himself out. Upset over the suicide of another one of her patients, Amanda Chang, Bowen quits her job.
Jones shows up at Howard’s house. Howard deduces that Jones is having another manic episode and contacts Bowen, who arrives as Jones heads toward the construction site where he previously tried to jump. This time Jones is able to calm himself just as Bowen shows up. With Bowen’s help Jones has finally accepted the need to treat his condition and the two happily reconcile.
Last Updated: November 22, 2025 at 15:58
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories where professional boundaries blur into deep, transformative personal connections.If you liked the complex doctor-patient dynamic in Mr. Jones, discover more movies that explore the ethical dilemmas and deep emotional connections that form when professional roles become personal.
This thread groups films centered on a healer-patient relationship that evolves into something more personal and ethically complex. The narrative typically follows the struggle between professional duty and human connection, creating a central conflict built on vulnerability, trust, and forbidden intimacy.
These films are grouped by their shared focus on a specific, intense relationship archetype. They share a mood of intimate tension, thematic exploration of ethics and care, and a character-driven plot where personal growth is sparked by a morally ambiguous connection.
Hopeful yet honest stories about confronting and learning to live with mental illness.Find more movies like Mr. Jones that portray a bittersweet but ultimately hopeful journey of a character learning to accept and manage their mental illness, featuring charismatic leads and emotional growth.
The narrative pattern follows a character grappling with a significant mental health challenge, such as bipolar disorder or depression. The story doesn't shy away from the pain and chaos but ultimately charts a course toward a hard-won, realistic acceptance, often aided by a key relationship.
These movies share a specific emotional mix: they are melancholic and anxious during the struggle, yet cathartic and hopeful by the end. They have variable pacing that mirrors the highs and lows of the condition and a bittersweet tone that feels authentic to the subject matter.
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Track the full timeline of Mr. Jones with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
Discover the characters, locations, and core themes that shape Mr. Jones. Get insights into symbolic elements, setting significance, and deeper narrative meaning — ideal for thematic analysis and movie breakdowns.
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