Year: 1978
Runtime: 97 mins
Language: English
Director: Jack Weis
…and that was only the beginning. Police try to capture someone who is commiting ritual murders of women during Mardi Gras in New Orleans.
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John, [William Metzo], a dapper and enigmatic figure in New Orleans, arrives at a dim bar in search of the “evilest” prostitute he can take home. He is directed to Shirley Anderson, [Laura Misch Owens], who agrees to leave with him for two hundred dollars. At his house, he asks her to lie on a table. She undresses, and John re-enters the room in a robe and wearing a mysterious metal mask. He begins massaging her and then ties her to the table and eviscerates her, removes her heart, and offers it on an altar in an Aztec sacrifice to Coatl, the “queen of evil.”
Sergeant Frank Hebert, [Curt Dawson], and his partner Sergeant Mayer, [Ronald Tanet], are assigned to Shirley’s murder case after her body is found on train tracks in the city. When questioning other local prostitutes, Hebert meets Sherry, [Gwen Arment], and discovers from her that the man whom Shirley had left with the night she died wore an unusual gold ring. Frank soon becomes enamored of Sherry, a hooker with a heart of gold, and the two begin falling in love, which clouds Frank’s focus on the investigation. Meanwhile, Frank’s superiors urge him and Mayer to prevent the murders from being publicized in fear that it will hamper the impending Mardi Gras celebration.
Meanwhile, John continues to stalk local strip clubs and bars for further female victims. He performs the same ritual murder on another prostitute. At a different club, he attempts to court another dancer but is confronted in the street by her pimp, whom John brutally stabs to death before fleeing. At another club, John is propositioned by Catfish, an eccentric hippie who is also a pimp, who offers John one of his girls. In the dressing room of the club, Catfish arranges for 19-year-old dancer and prostitute Sissy, [Nancy Dancer], to have sex with John to repay a debt.
At his apartment, John wines and dines Sissy with a meal of Chinese food at her request. However, when John prepares to perform his ritual murder of Sissy, he hesitates, sensing her inherent purity and lack of corruption. He initially orders her to leave but, unaware of his plans, insists that they complete their transaction. John continues to bind Sissy and proceeds with the ritual, murdering her. Meanwhile, Sherry becomes enraged with Frank after learning he pocketed money found with Shirley’s body and vows never to see him again.
Sherry goes out for drinks at a local disco, where she gets into a drunken fight with another woman. Sergeant Mayer witnesses the incident and escorts Sherry back to her apartment. She tells Mayer she plans on leaving New Orleans as the annual Mardi Gras celebration begins the following day. Meanwhile, John meets Joe, a bartender, and offers him a large sum of money for three prostitutes for Fat Tuesday, during which he plans to provide three women to Coatl at once. One of the three Joe offers him is Sherry. John inebriates the women with pisco and prepares for the murder ritual. Meanwhile, Frank and Mayer are alerted to John’s apartment by the Chinese food vendor who delivered there.
Frank and Mayer rush to the apartment and botch the ritual, saving Sherry and the other two prostitutes. John flees via a fire escape and leads Frank and Mayer on a chase through the French Quarter, ending at the Governor Nicholls Street Wharf. There, John steals a police car and crashes it into the Mississippi River. When they pull the vehicle from the water, they find the ritual mask, but John is nowhere to be seen.
Last Updated: October 09, 2025 at 10:42
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Stories of ancient fanaticism and brutal killings in a modern city's underbelly.If you liked the gritty ritual murders and sleazy city setting of Mardi Gras Massacre, you'll find similar dark tales here. This collection groups movies featuring serial killers driven by fanaticism, operating in the decaying underbellies of modern cities, where police investigations uncover ancient horrors amidst urban crime.
Stories in this thread typically follow a pattern of ritualistic murders committed by a fanatical killer in an urban setting. A parallel police investigation slowly uncovers the dark motives, often revealing a deep-seated religious or supernatural obsession. The narrative is straightforward, focused on the escalating violence and the procedural chase, set against a backdrop of urban decay and moral corruption.
Movies are grouped here for their shared core premise: the intrusion of ritualistic, often ancient, evil into a modern urban landscape. They share a dark, gritty tone, a steady pace balancing violence with investigation, and a heavy emotional weight derived from brutal, fanatical acts. The oppressive mood and themes of religious extremism link them strongly.
Low-budget, character-driven horror where flawed cops chase a grim threat.Fans of Mardi Gras Massacre will appreciate this collection of similar 70s-era horror movies. These films share a low-budget grit, a steady pace focused on a police investigation into a brutal killer, and a dark, oppressive atmosphere. They capture the raw, unflinching feel of character-driven horror from that decade.
The narrative pattern involves a straightforward cat-and-mouse chase between a flawed law enforcement figure and a relentless, often unexplained, evil. The story unfolds at a steady, methodical pace, building tension through violence and procedural dead-ends. Character development is minimal, focusing instead on the grim pursuit and the oppressive mood, typically culminating in an inconclusive or bleak finale.
These films are grouped by their shared era, aesthetic, and narrative approach. The low-budget 70s filmmaking creates a distinct gritty and sleazy texture. The focus on a procedural investigation, paired with a steady, dreadful pace and a dark tone, creates a cohesive viewing experience for fans of raw, character-driven horror from this period.
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