Last Days

A talented but fragile young musician who is overwhelmed by fame and personal demons. He oscillates between moments of creative engagement and impulsive withdrawal. His increasingly erratic behavior toward his roommates signals a mind unraveling under pressure. The character embodies the tension between artistic passion and self-destruction.

Blake's friend who arrives with a private detective to locate him. He is pragmatic and loyal but becomes entangled in Blake's escalating tension. Donovan's presence heightens the sense of external danger pressing on the musician. He represents a middle ground between friendship and intrusion.

A housemate who contributes to the day-to-day dynamics and occasionally proves opportunistic. He takes some of Blake's money and participates in intimate moments with Luke, illustrating the blurred boundaries within the shared home. Scott embodies the pragmatic, sometimes reckless, side of group living that amplifies Blake's stress.

A fellow musician and housemate who seeks Blake's help on a song. He becomes involved in the group's volatile dynamics and shares in the day's sexual tensions. Luke's dependency on Blake's talent contrasts with his own restless ambitions.

A roommate who wakes and participates in the evolving household tension. She observes the conflict unfold and remains part of the crowded social circle until the group's dynamics shift. Asia's presence highlights the interpersonal strain within the home.

Another roommate who shares the space and participates in the day-to-day routine. Her involvement contributes to the sense of claustrophobic domestic life that amplifies Blake's crisis. Nicole's presence adds to the crowded atmosphere and shared pressures.

A record executive who attempts to pull Blake away for a tour, representing external industry pressure. Her involvement underscores the conflict between artistic autonomy and commercial demands. She embodies the forces trying to capitalize on Blake's talent.

A Yellow Pages representative who talks to Blake about placing an ad in the upcoming book, illustrating the intrusion of everyday commerce into the musician's life. His scene marks the saturation of Blake's world with external demands. The encounter adds a mundane, commercial layer to the day's events.

Two LDS missionaries appear at the door to speak about their church, introducing a contrasting worldview to Blake's life. Their visit heightens the sense of external judgment and different moral codes affecting the group. The moment emphasizes the outsider presence in the musician's day.