Year: 1948
Runtime: 61 mins
Language: English
Director: Phil Karlson
A vivid look at the burlesque scene follows veteran performer May and her daughter Peggy, who chorus‑dance together. After a dispute with headliner Bubbles, Bubbles quits and Peggy steps into the spotlight. Peggy then falls for wealthy Randy, prompting May to worry that their class gap could bring hardship.
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Read the complete plot breakdown of Ladies of the Chorus (1948), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Peggy Marilyn Monroe Martin and her mother Mae Martin Adele Jergens toil as burlesque chorus girls, moving between smoky backstage rooms and the bright, risky world of a touring revue. When the star of the show, Bubbles LaRue Marjorie Hoshelle, unexpectedly quits, the stage manager Joe Frank J. Scannell pleads with Mae to go on for one more number. Mae, with a sly steadiness, arranges for Peggy to step in instead, and Peggy’s performance lands with such power that she is offered the starring role, shifting the trajectory of both their lives.
One evening, Randy Carroll Rand Brooks, a member of Cleveland’s wealthy social circle, is brought to the show by friends and is instantly drawn to Peggy. He learns that Peggy generally shies away from dates because her mother disapproves, so he tries a patient, no-pressure approach: nightly he sends Peggy an orchid, unsigned. Curious about the sender, Peggy asks the florist to reveal the identity, and the moment the mystery man arrives, the two finally meet. Randy invites Peggy to dinner, and she agrees, but she first wants him to meet her mother. Randy is surprised to discover Mae Martin, also a dancer, but he still asks her to join them for the dinner. Mae declines at first, yet the idea of the meeting lingers as Peggy returns home glowing with plans.
The next day, Randy asks Mae for her blessing, yet Mae warns him that there is a clear class difference between him and Peggy. Randy resists the seriousness of that reality, arguing that people are more open-minded now than they were in Mae’s day, and Mae reluctantly agrees to the match—on one condition: Randy must tell his mother about Peggy’s profession before the engagement becomes public.
Randy falters at that request, and the truth remains unsaid. When Adele Carroll Nana Bryant, Randy’s mother, invites Mae and Peggy to visit, she begins laying the groundwork for a lavish engagement party that will draw every couple in their circle. Adele also brings in Billy Mackay [Eddie Garr], a retired burlesque comic who has cherished Mae for years, hoping to revive old connections and secure a smooth union for her son.
At the party, the trio of musicians hired by Adele recognize Peggy and coax her to sing, publicly titling her as the star of the evening and, more broadly, labeling her as the queen of burlesque in front of their guests. The revelation shocks the guests, and Peggy and Mae attempt to leave, but Adele stops them, warning that fleeing would only deepen the scandal.
Adele then invites Billy to help perform with Peggy, and she openly confesses that she too had once been a chorus girl. Billy quietly tells Mae that Adele had crafted the entire setup to nudge Randy and Peggy toward each other. As the night unfolds and Randy and Peggy embrace, Adele nudges Billy and Mae toward a plan for a double wedding, hoping to seal the union with both couples stepping into a shared future.
Last Updated: October 09, 2025 at 11:28
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