Horsemen

In a cold, rain‑slick city that feels as weary as its inhabitants, Detective Aidan Breslin carries the weight of a recent tragedy. The loss of his wife has left him a hollowed‑out father, drifting through the corridors of his own home while the case files on his desk stack higher and higher. His grief is a silent partner, shaping every decision he makes and sharpening the edges of his once‑steady composure.

At the heart of his private world are his two sons, Alex and Sean, whose teenage lives are marked by the absence of a steady paternal presence. The boys navigate the ordinary challenges of school and growing up, yet the unspoken tension between them and their father creates a fragile, almost palpable distance. Breslin’s attempts to bridge that gap are earnest but constantly interrupted by the demands of his badge, leaving moments of connection both precious and fleeting.

Outside the family’s strained routine, the city is being haunted by a baffling series of murders that echo an ancient mythos. Whispers of the Four Horsemen of the Apocalypse ripple through the police precinct, turning routine investigations into a dark, almost ritualistic hunt for meaning. The killings are marked by an unsettling symbolism that hints at a larger, more ominous design, pulling Breslin deeper into a maze of clues that feel eerily personal.

As the investigation unfolds, the line between professional duty and personal obsession blurs. Bresline finds himself confronting not just a mysterious killer, but also the dormant parts of his own past that the case seems to resurrect. The film balances stark, mood‑laden visuals with a slow‑burning tension, inviting the audience to feel the chill of a city on the brink while watching a father wrestle with his own demons and the desperate hope of re‑knitting his fractured family.

Last Updated: August 10, 2025 at 08:58