Gaganachari

A 2030 alien attack leaves Major Victor Vasudevan marked as the 'alien hunter.' He retreats to a bunker and largely cuts himself off from society. The incident seeds his later life of isolation and suspicion toward outsiders.

By 2050, environmental disasters have collapsed global society and alien megastructures hover above Earth. Global authorities intensify hunts for extraterrestrials, while the Kerala political outfit Ajayya Sena proclaims itself a shield for the public’s safety and morality. The stage is set for a fragile coexistence between humans and visitors from space.

Victor now lives in a remote island bunker with his nephew Alan John Valamparambil and their cook, Vibe, watched over by an AI named Raghavan. He spends his days painting nude portraits and preserves his youth in a preservation pod. He still harbors a dream of migrating to the Moon, the only clear path to escape Earth’s troubles.

A team of documentary filmmakers travels to interview the famed alien hunter. They arrive at the bunker and document Victor’s strange household, his art, and the wider crisis gripping Earth. The encounter exposes tensions among the family, the crew, and a suspicious local power structure.

One night, Vibe comes home from a party with no memory of how he got back. The group discovers a mute, blue-haired woman hiding in the bunker who has eaten Victor’s cat Bhavani. They realize she is an alien fugitive misled by Vibe into seeking a station.

They decide to hide the woman, naming her Alieamma (alien + amma). Her emotional responses trigger electromagnetic pulses that flicker the lights and reveal her presence to anyone nearby. The mysterious visitor becomes the center of the household’s guarded trust.

Alan grows attached to Alieamma as she slowly communicates. She gives them a damaged device to aid contact, which Vibe repairs but equips with a maternal cadence that unsettles Alan. The trio’s fragile balance is tested as affection and suspicion jostle their choices.

Alieamma explains that her species is peaceful and that humans and her kind were once siblings on another planet. Humans drained that planet and fled to Earth, and now her people seek refuge here again. The retelling reframes the encounter from a hostile invasion to a repeating historical mistake.

At one point, Alieamma tries to lead them to the authorities, but she also erases Victor’s memory with a touch and later restores it out of pity. The moment highlights how fragile trust is with a fugitive who wields real power. It also underscored the ethical tension in their decision to shelter her.

Alan learns that Alieamma posed nude for Victor, causing heartbreak. Victor explains that he never views the actual bodies of his muses, preferring to imagine and paint from memory of his wife. The exchange reveals his artistic principle and clarifies his boundaries.

Kurup and Potti kidnap Alieamma and begin a cleansing ritual. Alan finds her distressed and knocks the officers unconscious with a wooden log. The Ajayya Sena arrive wearing alien costumes to pose as protectors, but they are the real troublemakers, manufacturing fear to control people.

Alieamma defends herself and flies into the sky, overpowering Sena reinforcements. She asks the men to help her reach a spacecraft visible above Earth, and they comply. She thanks them and departs, leaving Earth to its uncertain future.

With the immediate danger resolved, Victor finally fulfills his dream and travels to the Moon. The journey marks a personal victory after years of longing and survival. It caps his arc as a man who chases escape and possibility beyond Earth.

Alan keeps sending hundreds of messages to Alieamma through Raghavan. On her home planet, inhabited by giant cats, she receives the first message and smiles at hearing that he misses her. The final moment hints at a fragile, cross-world connection that survives the distance.